Edward Hirsch
Edward Hirsch
Edward Hirschis an American poet and critic who wrote a national bestseller about reading poetry. He has published nine books of poems, including The Living Fire: New and Selected Poems, which brings together thirty-five years of work, and Gabriel: A Poem, a book-length elegy for his son that The New Yorker calls “a masterpiece of sorrow.” He has also published five prose books about poetry. He is president of the John Simon Guggenheim Memorial Foundation in New York City...
NationalityAmerican
ProfessionPoet
Date of Birth20 January 1950
CountryUnited States of America
I think there are different kinds of poetry for different stages of life and there's the wild, exuberance of youth, there's the painful agony of midlife experience, there's the late poetry in the presence of death.
think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
I was once doing a question and answer period with the novelist Jane Smiley in a bookstore and someone asked us what our processes were and Jane said hers and then I said mine and Jane said, "Well, if I had a student like that I'd force him never to write like that again because you could never write a novel in the way that you write poetry."
I wish I wrote drafts and then revised them, but I don't. What I do is I seem to revise as I go.
So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
So, the result though is by the time I've got something, it's been worked over so many times that although I do make changes as the end, often by the time I've gotten it, it's pretty much completed.
Now, as I've gotten older I've been able to write more quickly. Sometimes I get in the space of something and I can do a lot in a day.
The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections.
And when I'm writing well and when I'm inside the feeling, then I can do fairly complicated things with some fluency.
First of all I think that poetry is very noble and I always have with me the sense of the nobility of poetry.
I think that as long as you have other poets before you and that you can learn from them, then it's always open ended for you.
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.