E. M. Forster
E. M. Forster
Edward Morgan Forster OM CHwas an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect ... ". His 1908 novel, A Room with a View, is his most optimistic work, while A Passage to Indiabrought him his greatest success. He was...
NationalityEnglish
ProfessionNovelist
Date of Birth1 January 1879
fiction novelists sometimes
A novel is based on evidence, + or -x, the unknown quantity being the temperament of the novelist, and the unknown quantity always modifies the effect of the evidence, and sometimes transforms it entirely.
queens character fiction
It is the function of the novelist to reveal the hidden life at its source: to tell us more about Queen Victoria than could be known, and thus to produce a character who is not the Queen Victoria of history.
moving home giving
Tolerance is just a makeshift, suitable for an overcrowded and overheated planet. It carries on when love gives out, and love generally gives out as soon as we move away from our home and our friends.
believe belief
I do not believe in Belief.
fall school justice
It is not that the Englishman can't feel-it is that he is afraid to feel. He has been taught at his public school that feeling is bad form. He must not express great joy or sorrow, or even open his mouth too wide when he talks-his pipe might fall out if he did.
justice world naked
Naked I came into the world, naked I shall go out of it! And a very good thing too, for it reminds me that I am naked under my shirt, whatever its colour.
sex believe fall
The story of the Fall always fascinates me as a play ground, but I cannot find any profound meaning in it, because of my 'liberal' view of human nature: I cannot believe in a state of original innocence, still less in a profound meaning in it, and I am always minimising the conception and the extent of Sin and the sinfulness of sex.
moving two darkness
Our final experience, like our first, is conjectural. We move between two darkness's.
stars failure fighting
Failure or success seems to have been allotted to men by their stars. But they retain the power of wriggling, of fighting with their star or against it, and in the whole universe the only really interesting movement is the wriggle.
play bored special
As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored" "I know; it must be the plot developing harmoniously." So I often reply to myself, and there rises before me my special nightmare that of the writer as craftsman, natty and deft.
real heart enemy
Love felt and returned, love which our bodies exact and our hearts have transfigured, love which is the most real thing that we shall ever meet, reappeared now as the world's enemy, and she must stifle it.
love men ideas
The idea that nations should love one another, or that business concerns or marketing boards should love one another, or that a man in Portugal should love a man in Peru of whom he has never heard -it is absurd, unreal, dangerous. The fact is we can only love what we know personally. And we cannot know much.
men towns gray
Towns are excrescences, gray fluxions, where men, hurrying to find one another, have lost themselves.
running views long
A novelist can shift view-point if it comes off. ... Indeed, this power to expand and contract perception (of which the shifting view-point is a symptom), this right to intermittent knowledge - I find one of the great advantages of the novel-form ... this intermittence lends in the long run variety and colour to the experiences we receive.