E. B. White

E. B. White
Elwyn Brooks "E. B." White was an American writer. He was a contributor to The New Yorker magazine and a co-author of the English language style guide The Elements of Style, which is commonly known as "Strunk & White". He also wrote books for children, including Stuart Little, Charlotte's Web, and The Trumpet of the Swan. Charlotte's Web was voted the top children's novel in a 2012 survey of School Library Journal readers, an accomplishment repeated in earlier surveys...
NationalityAmerican
ProfessionWriter
Date of Birth11 July 1899
CountryUnited States of America
Place yourself in the background; write in a way that comes naturally; work from a suitable design; write with nouns and verbs; do not overwrite; do not overstate; avoid the use of qualifiers; do not affect a breezy style; use orthodox spelling; do not explain too much; avoid fancy words; do not take shortcuts as the cost of clarity; prefer the standard to the offbeat; make sure the reader knows who is speaking; do not use dialect; revise and rewrite.
I discovered a long time ago that writing of the small things of the day, the trivial matters of the heart, the inconsequential but near things of this living, was the only kind of creative work which I could accomplish with any sincerity or grace. As a reporter, I was a flop, because I always came back laden not with facts about the case, but with a mind full of the little difficulties and amusements I had encountered in my travels.
I discovered, though, that once having given a pig an enema there is no turning back, no chance of resuming one of life's more stereotyped roles.
Habitually creative people are prepared to be lucky.
When I get sick of what men do, I have only to walk a few steps in another direction to see what spiders do. Or what the weather does. This sustains me very well indeed.
When we think of [John F. Kennedy], he is without a hat, standing in the wind and weather. He was impatient of topcoats and hats, preferring to be exposed, and he was young enough and tough enough to enjoy the cold and the wind of those times.... It can be said of him, as of few men in a like position, that he did not fear the weather, and did not trim his sails, but instead challenged the wind itself, to improve its direction and to cause it to blow more softly and more kindly over the world and its people.
When you consider that there are a thousand ways to express even the simplest idea, it is no wonder writers are under a great strain. Writers care greatly how a thing is said - it makes all the difference. So they are constantly faced with too many choices and must make too many decisions.
I have noticed that most men when they enter a barber shop and must wait their turn, drop into a chair and pick up a magazine. I simply sit down and pick up the thread of my sea wanderings, which began more than fifty years ago and is not quite ended. There is hardly a waiting room in the east that has not served as my cockpit, whether I was waiting to board a train or to see a dentist. And I am usually still trimming sheets when the train starts or drill begins to whine.
I always write a thing first and think about it afterward, which is not a bad procedure because the easiest way to have consequential thoughts is to start putting them down.
The Supreme Court said nothing about silliness, but I suspect it may play more of a role than one might suppose. People are, if anything, more touchy about being thought silly than they are about being thought unjust... Probably the first slave ship, with Negroes lying in chains on its decks, seemed commonsensical to the owners who operated it and to the planters who patronized it. But such a vessel would not be in the realm of common sense today. The only sense that is common, in the long run, is the sense of change.
The beginner should approach style warily, realizing that it is himself he is approaching, no other; and he should begin by turning resolutely away from all devices that are popularly believed to indicate style - all mannerisms, tricks, adornments. The approach to style is by way of plainness, simplicity, orderliness, sincerity.
Television will enormously enlarge the eye's range, and, like radio, will advertise the Elsewhere. Together with the tabs, the mags, and the movies, it will insist that we forget the primary and the near in favor of the secondary and the remote.
Oh, I never look under the hood.
New York is part of the natural world. I love the city, I love the country, and for the same reasons. The city is part of the country. When I had an apartment on East Forty-Eighth Street, my backyard during the migratory season yielded more birds than I ever saw in Maine.