E. B. White
E. B. White
Elwyn Brooks "E. B." White was an American writer. He was a contributor to The New Yorker magazine and a co-author of the English language style guide The Elements of Style, which is commonly known as "Strunk & White". He also wrote books for children, including Stuart Little, Charlotte's Web, and The Trumpet of the Swan. Charlotte's Web was voted the top children's novel in a 2012 survey of School Library Journal readers, an accomplishment repeated in earlier surveys...
NationalityAmerican
ProfessionWriter
Date of Birth11 July 1899
CountryUnited States of America
Television hangs on the questionable theory that whatever happens anywhere should be sensed everywhere. If everyone is going to be able to see everything, in the long run all sights may lose whatever rarity value they once possessed, and it may well turn out that people, being able to see and hear practically everything, will be specially interested in almost nothing.
I believe... that security declines as security machinery expands.
A "fraternity" is the antithesis of fraternity. The first... is predicated on the idea of exclusion; the second (that is, the abstract thing) is based on a feeling of total equality.
I seldom went to bed before two or three o'clock in the morning, on the theory that if anything of interest were to happen to a young man it would almost certainly happen late at night.
I guess I remembered clearest of all the early mornings, when the lake was cool and motionless, remembered how the bedroom smelled of the lumber it was made of and of the wet woods whose scent entered through the screen.
A man's liberal and conservative phases seem to follow each other in a succession of waves from the time he is born. Children are radicals. Youths are conservatives, with a dash of criminal negligence. Men in their prime are liberals (as long as their digestion keeps pace with their intellect). The middle aged run to shelter: they insure their life, draft a will, accumulate mementos and occasional tables, and hope for security. And then comes old age, which repeats childhood - a time full of humors and sadness, but often full of courage and even prophecy.
The essayist . . . can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter - philosopher, scold, jester, raconteur, confidant, pundit, devil's advocate, enthusiast.
Home was quite a place when people stayed there.
When my wife's Aunt Caroline was in her nineties, she lived with us, and she once remarked: 'Remembrance is sufficient of the beauty we have seen.' I cherish the remembrance of the beauty I have seen. I cherish the grave, compulsive word.
I have no warm up exercises, other than to take an occasional drink.
Life is always rich and steady time when you are waiting for something to happen or to hatch.
We stand or fall by television.
Nationalism has two fatal charms for its devotees: It presupposes local self-sufficiency, which is a pleasant and desirable condition, and it suggests, very subtly, a certain personal superiority by reason of one's belonging to a place which is definable and familiar, as against a place that is strange, remote.
From three to four, he planned to stand perfectly still and think of what it was like to be alive.