Douglas Hofstadter

Douglas Hofstadter
Douglas Richard Hofstadteris an American professor of cognitive science whose research focuses on the sense of "I", consciousness, analogy-making, artistic creation, literary translation, and discovery in mathematics and physics. He is best known for his book Gödel, Escher, Bach: An Eternal Golden Braid, first published in 1979. It won both the Pulitzer Prize for general non-fiction and a National Book Awardfor Science. His 2007 book I Am a Strange Loop won the Los Angeles Times Book Prize for Science and...
NationalityAmerican
ProfessionScientist
Date of Birth15 February 1945
CountryUnited States of America
Sometimes it seems as though each new step towards AI, rather than producing something which everyone agrees is real intelligence, merely reveals what real intelligence is not.
Enormous numbers of people are taken in, or at least beguiled and fascinated, by what seems to me to be unbelievable hocum, and relatively few are concerned with or thrilled by the astounding-yet true-facts of science, as put forth in the pages of, say, Scientific American.
This sentence contradicts itself - no actually it doesn't.
The strange flavour of AI work is that people try to put together long sets of rules in strict formalisms which tell inflexible machines how to be flexible.
I am the thought you are now thinking.
The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.
What is an "I", and why are such things found (at least so far) only in association with, as poet Russell Edson once wonderfully phrased it, "teetering bulbs of dread and dream" -- that is, only in association with certain kinds of gooey lumps encased in hard protective shells mounted atop mobile pedestals that roam the world on pairs of slightly fuzzy, jointed stilts?
This idea that there is generality in the specific is of far-reaching importance.
The nice thing about having a brain is that one can learn, that ignorance can be supplanted by knowledge, and that small bits of knowledge can gradually pile up into substantial heaps.
Perhaps the problem is the seeming need that people have of making black-and-white cutoffs when it comes to certain mysterious phenomena, such as life and consciousness. People seem to want there to be an absolute threshold between the living and the nonliving, and between the thinking and the "merely mechanical," ... But the onward march of science seems to force us ever more clearly into accepting intermediate levels of such properties.
Meaning lies as much in the mind of the reader as in the Haiku.
. . . all meaning comes from analogies.
It as if you took a lot of very good food and some dog excrement and blended it all up so that you can't possibly figure out what's good or bad. It's an intimate mixture of rubbish and good ideas, and it's very hard to disentangle the two, because these are smart people; they're not stupid.
The Strange Loop phenomenon occurs whenever, by moving upwards (or downwards) through levels of some hierarchial system, we unexpectedly find ourselves right back where we started.