Don DeLillo
Don DeLillo
Donald Richard "Don" DeLillois an American novelist, playwright and essayist. His works have covered subjects as diverse as television, nuclear war, sports, the complexities of language, performance art, the Cold War, mathematics, the advent of the digital age, politics, economics, and global terrorism. Initially a well-regarded cult writer, the publication in 1985 of White Noise brought him widespread recognition. It was followed in 1988 by Libra, a bestseller. DeLillo has twice been a Pulitzer Prize for Fiction finalist), won the...
ProfessionNovelist
Date of Birth20 November 1936
CityBronx, NY
The figure of the gunman in the window was inextricable from the victim and his history. This sustained Oswald in his cell. It gave him what he needed to live. The more time he spent in a cell, the stronger he would get. Everybody knew who he was now.
People stress the violence. That's the smallest part of it. Football is brutal only from a distance. In the middle of it there's a calm, a tranquility. The players accept pain. There's a sense of order even at the end of a running play with bodies strewn everywhere. When the systems interlock, there's a satisfaction to the game that can't be duplicated. There's a harmony.
There's a curious knot that binds novelists and terrorists...Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness. What writers used to do before we were all incorporated.
Once you've seen the signs about the barn, it becomes impossible to see the barn.
I've never made an outline for any novel that I've written. Never.
Everyone who does not live in Berlin lives in Brooklyn now.
Look past the violence. There is a wonderful brimming spirit of innocence and fun.
I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence.
The writer is the person who stands outside society, independent of affiliation and independent of influence.
The modern meaning of life's end-when does it end? How does it end? How should it end? What is the value of life? How do we measure it?
There's a connection between the advances that are made in technology and the sense of primitive fear people develop in response to it.
It is interesting ... how weapons reflect the soul of the maker.
Fame and secrecy are the high and low ends of the same fascination.
The future is always a wholeness, a sameness. We're all tall and happy there,' she said. 'This is why the future fails. It always fails. It can never be the cruel happy place we want to make it.