Diablo Cody
Diablo Cody
Brook Busey-Maurio, better known by the pen name Diablo Cody, is an American screenwriter, producer, director, author, journalist, memoirist, stripper and exotic dancer. She first became known for her candid chronicling of her year as a stripper in her "The Pussy Ranch" blog and in her memoir Candy Girl: A Year in the Life of an Unlikely Stripper. Later, Cody achieved critical acclaim for her debut script Juno, winning awards such as the Academy Award for Best Original Screenplay, the...
NationalityAmerican
ProfessionScreenwriter
Date of Birth14 June 1978
CityLemont, IL
CountryUnited States of America
Unfortunately I don't live by a Target now, so I just go to a regular Starbucks as opposed to a Starbucks nested inside a Target, which is my ideal situation. That works out for me. I like that white noise, those interruptions, and the people around me.
You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.
I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film.
I just go about my life. I'm a mom, I drive an SUV, I go to the grocery store every day. I'm definitely not a celebrity. I always say that I'm a celebrity-adjacent.
That's also why comedy and horror are my two favorite genres of film to write, because you get these outbursts of emotion from people, laughter and shock, and it's really thrilling, and I like to be thrilled.
Speaking of Twitter, I don't even know if I composed a blog entry in 2009, as I was too busy parceling my every thought into cute 140-character sound bites. I used to only worry about being pithy for a living; now some of my best lines are wasted on a free app!
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.
If being an attractive woman got you attention for directing, then the entire 'best director' category would be comprised of models. To me, that is just the most ludicrous connection that you could make.
I've been watching 'American Idol' since its debut season in 2002. Back then, America hadn't yet evolved into a gladiatorial cybernation of bloggers, tweeters, and self-ordained voice coaches.
You make a first impression and people never forget it. If people want to think of me as the wacky 'Juno' lady forever, I could think of worse ways to be labeled.
I don't know if I have some kind of defiance disorder or something, but if I'm hired to write something by "The Man," or by a studio, for whatever reason, it's really hard for me to finish. I inevitably wind up using that time to write something else.
Juno MacGuff: I was out handling things way beyond my maturity level.
I had the experience last year of directing my first feature while I had a 1-year-old son and while I was also pregnant, so I am now well aware of the difficulties women who are rearing children face when they're also trying to make headway in mainstream of film.