Dennis Hopper
Dennis Hopper
Dennis Lee Hopperwas an American actor, filmmaker, photographer, and artist. He attended the Actors Studio, made his first television appearance in 1954, and soon after appeared alongside James Dean in Rebel Without a Causeand Giant. In the next ten years he made a name in television, and by the end of the 1960s had appeared in several films. Hopper also began a prolific and acclaimed photography career in the 1960s...
NationalityAmerican
ProfessionMovie Actor
Date of Birth17 May 1936
CityDodge City, KS
CountryUnited States of America
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
To make a documentary is one thing, to make a feature film is quite another.
You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film.
[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again...
I didn't see an abstract painting until I was 18, when I went to Vincent Price's house and saw Richard Niebencorn, Wolff, Jackson Pollack. He had an amazing collection. I didn't know people painted abstractly, I thought I was just doing something wholeheartedly.
Well, it's not just money. I consider myself establishment right now. I'm borderline establishment, I'm hanging on by my toenails - but I'm establishment.
I used to have to wear a gas mask to school when I was a kid because of the dust. I would tell people that the first light I saw was in a movie theater, because the sun was just a little glow.
I was a Shakespearean actor, I had preconceived ideas, line readings - everything was a gesture, everything was conscious.
I never really made any money and it certainly cost me more to take photographs than I got for them.
Just because it happened to you, doesn't mean it's interesting.
I am just a middle-class farm boy from Dodge City and my grandparents were wheat farmers. I thought painting, acting, directing and photography were all part of being an artist. I have made my money that way. And I have had some fun. It's not been a bad life.
I made a picture called Super Mario Bros., and my six-year-old son at the time - he's now 18 - he said, 'Dad I think you're probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros?' And I said, 'Well Henry, I did that so you could have shoes,' and he said, 'Dad, I don't need shoes that badly.'
I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.
There are moments that I`ve had some real brilliance, you know. But I think they are moments. And sometimes, in a career, moments are enough.