Denise Mina
Denise Mina
Denise Minais a Scottish crime writer and playwright. She has written the Garnethill trilogy and another three novels featuring the character Patricia "Paddy" Meehan, a Glasgow journalist. Described as an author of Tartan Noir, she has also dabbled in comic book writing, having recently written 13 issues of Hellblazer. Since 2006, she has had two plays performed with successful reception...
NationalityScottish
ProfessionWriter
class parent odd
My upbringing was middle-class but my parents' families were both working-class so I had this odd combination of working-class background but in a privileged position.
gay married terrified
I'm terrified to get married. I'm not getting married till my gay friends can.
feet fiction crime
I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
strong opinion default
To have a very strong opinion all the time is corrosive to a person's intellect. It becomes your default position.
art brother dad
In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.
both fourth novels readings sell visiting year
The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.
filthy house school writers
It's all chaos and the house is occasionally filthy but I get to stand at the school gates. Writers are so lucky to have that flexibility.
electronic frightened kindle knows people publishing shift stories
People are very frightened in publishing at the moment. Nobody knows what sells. More so now because the market's changing so fundamentally because of Kindle and electronic publishing. It's a fundamental shift in the way stories are put out into the world.
family fighting good great learned mum tale
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
classic complete crime feels fiction flows happens start stuff ties work
I'm not much of a plotter. I start off with an inciting incident, and in classic crime fiction what happens is that all the action flows from that incident. It's very comfy when it all ties up and feels like a complete universe, but my stuff doesn't always work that way.
certainly cut glasgow hard highest maybe people rate
It's very hard to be cut off in Glasgow because it's such a small city. You know, we have the highest rate of per-capita imprisonment, certainly in Britain, maybe in Europe. We have a very high murder rate here. So most people will know someone who's been to prison.
course forensic guy head science took university
In the forensic science course I took at university they used photographs of dead bodies. For ballistics they showed us a guy lying on the floor, and his head had burst.
publishers time
There are a lot of bottlenecks to getting published. Publishers are only one of them. Having the time is another one. Feeling entitled is another one.
good listen people
You have to take your ego out of it and say, do I want people to be obsequious to me or do I want to write good books? If it's the latter, you have to take criticism. It's annoying, but that's how to do good stuff; listen to other people.