Debbie Allen
Debbie Allen
Deborrah Kaye "Debbie" Allenis an American actress, dancer, choreographer, television director, television producer, and a member of the President's Committee on the Arts and Humanities. She is perhaps best known for her work on the 1982 musical-drama television series Fame, where she portrayed dance teacher Lydia Grant, and served as the series' principal choreographer. She currently portrays Catherine Avery on Grey's Anatomy. She is the younger sister of actress/director/singer Phylicia Rashad...
NationalityAmerican
ProfessionChoreographer
Date of Birth16 January 1950
CityHouston, TX
CountryUnited States of America
It's rare to find parts where you see two women who relate to each other in that very natural way, with a lot of humor and pathos at the same time.
Then you give your actors broad strokes based on what your idea is for what is going on in the room and the circumstances surrounding it.
I've had a lot of experience auditioning people, and I can do it rather quickly even though sometimes I let them linger and give them time, but I kind of know after I see them do a couple of steps. I know.
As far as pacing the shoot is concerned, I know when I've got it. I don't think there's any reason to take ten takes unless you need them.
You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?
Self-checkout is negative because more and more retailers are losing the personal touch. People want to do business where people know their name and communicate with them. With a world full of email and more self-service we will begin to start seeking out the basics from retailers who create emotion. There is not emotion out of self-service and most people buy out of emotion.
It's kind of dangerous to cut in the camera, but that's the only way I know how to direct.
The radio for these women is like television is for us today, which is really like looking at the radio.
I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or if the actors didn't hit their marks. But if everything was working why do it again?
As one who loves literature, art, music and history, I've been deeply rooted in the Harlem Renaissance for many years.
There are so many famous people now that are not really gifted or talented at doing anything other than getting made up, putting on tight dresses, acting badly, getting married. I mean, what the hell? I don't know where we are going with this here in America. And we are setting a tone for the world, because everyone looks at what we do.
There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.
The first thing that goes into shooting a scene is understanding whats on the page.
It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With The Golden Arm, which I think was shot all on a sound stage.