David Sanborn
David Sanborn
David Sanbornis an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school. Sanborn has also worked extensively as a session musician, notably on David Bowie's Young Americans...
NationalityAmerican
ProfessionSaxophonist
Date of Birth30 July 1945
CityTampa, FL
CountryUnited States of America
I kinda always wanted to be a tenor player, but I'm a small guy, and tenor was just too big.
Jazz music by its very nature is just a conglomerate of a lot of different kinds of music.
Music is just kind of an expression of who I am. It's what I do.
I think the kind of chronology of the whole thing was that I was making records in the 70's and 80's that used pop production values, but instrumental music; like improvising with R&B kinds of song structures, but with improvisation in them, and pop production values.
I'm moved by a lot of different kinds of music, whether it's pop music or R&B or straight-ahead jazz or free or opera or music from all parts of the world.
I started out, obviously, as a sideman, and I had some really good gigs as a sideman.
I was playing with James Taylor at the time. James agreed to let me open for him, if I played with him also. So I got to be the opening act and I got a lot of exposure that way.
Mostly because I don't really feel that I have a methodology.
Well, I really enjoyed the process of making the last album so much that it's like kind of not wanting the party to end in a way.
Well, I had been doing albums that were a little more pop/commercial and it was really only reflecting one side of my playing and I felt the need to express another side of myself.
I'm somebody that pretty much operates by instinct, and I kind of have to follow my instincts.
The problem often times with trying to recreate some moment is that you kind of try to do part two or a sequel.
Usually there's some kind of clue, whether it's a rhythmic foundation or sometimes its very abstract - just an emotional kind of landscape - and then you just kind of start someplace.
But certainly the idea of making records that had a mainstream appeal instrumentally was nothing that we invented.