David Sanborn
David Sanborn
David Sanbornis an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school. Sanborn has also worked extensively as a session musician, notably on David Bowie's Young Americans...
NationalityAmerican
ProfessionSaxophonist
Date of Birth30 July 1945
CityTampa, FL
CountryUnited States of America
I was playing with James Taylor at the time. James agreed to let me open for him, if I played with him also. So I got to be the opening act and I got a lot of exposure that way.
Well, I had been doing albums that were a little more pop/commercial and it was really only reflecting one side of my playing and I felt the need to express another side of myself.
I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.
When I was 17 or 18 and it was time to figure out what to do with my life, I realized that I didn't enjoy anything as much as I enjoyed playing music. I felt that I had no choice: that I had to become a musician.
There are some logistical and legal nightmares tied to that show, ... for me, the great thrill of doing that show was playing with people I've been a fan of.
I think Norah Jones is a perfect example. Here's somebody who was playing the music she wanted to play and did it with some conviction, and it happened to be at a moment in time when there was a highly receptive audience for that kind of music.
If you're playing with somebody from another idiom, you can't react to them in the same way that you react to somebody that is closer to your idiom. You don't fall into the same habits. You find a new way of communicating.
I started out, obviously, as a sideman, and I had some really good gigs as a sideman.
Mostly because I don't really feel that I have a methodology.
Well, I really enjoyed the process of making the last album so much that it's like kind of not wanting the party to end in a way.
I'm somebody that pretty much operates by instinct, and I kind of have to follow my instincts.
The problem often times with trying to recreate some moment is that you kind of try to do part two or a sequel.
Usually there's some kind of clue, whether it's a rhythmic foundation or sometimes its very abstract - just an emotional kind of landscape - and then you just kind of start someplace.
But certainly the idea of making records that had a mainstream appeal instrumentally was nothing that we invented.