David O. Russell
David O. Russell
David Owen Russellis an American film director, screenwriter, and producer. His early directing career includes the comedy films Spanking the Monkey, Flirting with Disaster, Three Kingsand I ♥ Huckabees...
NationalityAmerican
ProfessionDirector
Date of Birth20 August 1958
CountryUnited States of America
fate reality often-can
What we assert, very often can become our reality. To some degree, everybody can try to shape and control their fate. Everybody picks an identity.
real trying might
You should always make it like it's your last film. That's my personal belief. Every filmmaker is going to have another belief. That's the only way I know to try to make a film that might be good. You got to take it real seriously like it's your last thing.
reality years culture
A thousand years ago, scientists who wondered about consciousness and the nature of reality were burned at the stake. We still haven't recovered from that and it's left us with a culture that no longer investigates consciousness, except on the fringes.
real father joy
I hadn't made that movie before and when I ever met the real Joy Mangano, which happened because De Niro insisted we meet her and her father, that's what she felt like to us. She impressed us with her quiet, serene authority with herself
real writing people
The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.
hate real character
I just love real characters; they're not pretentious, and every emotion is on the surface, they're regular working people. Their likes, their dislikes, their loves, their hates, their passions; they're all right there on the surface.
family initially mood overcome script struggling written
'The Fighter' was about a family struggling to overcome and fighting each other sometimes, and I went back and rewrote this script which I had written for my son initially because my son has mood disorder.
best good humility looking shoulder start work
I've done my best to work from a place of humility - always looking over your shoulder saying, 'Does this suck?' and I think that's a good way to work. The other way to work is where you start to think, 'I'm on fire, I'm amazing!' and I don't think that's the way to work.
jobs passion thinking
I think it [films] was my passion without it being declared like a job that I could have, or a career that I could have.
character trying movement
The holy trifecta of directing and filmmaking is character emotion, camera movement and music. When you hit those three, that's magical. That's what I'm trying to do.
feet life-and-death cinema
I make every movie and every scene like it could be my last. That's the only way I know how to make cinema that stands on its feet. I have to treat it like that. It has to be life and death stakes.
crafts worthwhile hard
Just work on your craft hard - that's your only hope of doing anything worthwhile.
struggle moving people
The romance is essential. I love the love. I don't love just people struggling. I love what people are struggling for. That moves me. I love watching people be loving, and I find it enchanting, magical and transporting. It's one of the reasons that I go to the movies, and that's why I like putting it in movies.
way happens
Life just happens the way it's supposed to happen. It delivers you to where it delivers you.