David Hewson
David Hewson
David Hewsonis a contemporary British author of mystery novels. His series of mysteries, featuring police officers In Rome, led by the young detective and art lover Nic Costa, began with A Season for the Dead, has now been contracted to run to at least nine instalments by British, American, European and Asian publishers. The author's debut novel, Shanghai Thunder, was published by Robert Hale, in the United Kingdom, in 1986. Almost all copies of the book were sent to libraries,...
NationalityBritish
ProfessionAuthor
Date of Birth9 January 1953
Opinions are 10 a penny. In the spin-driven, PR-controlled world of the 21st century, hard facts are rare indeed.
Lympne Castle opens its doors to visitors during the summer only. It is privately owned, and more an interesting medieval manor than a castle.
If you think about what 'The Killing' is, it is the theatrical production, not the script.
I'm much more likely to get lynched over 'The Killing' than 'Macbeth.'
I think there is this huge hole in Shakespeare that you do not know why Macbeth is who he is.
I just love doing different things, which is what being a working author is like.
I don't think I'd seen anything like 'The Killing.'
Edam and Gouda are genuine Dutch cheeses, but the real thing is a lot less bland than the varieties most of us experience in the U.K.
Authors do this for a living, and if you take their work for nothing, you are depriving them of a living.
Although I'm deaf in only my left ear, when there is noise all around, I'm unable to distinguish sounds and can't hear anything.
I want to do more audio originals because I think that it is a fascinating medium. If you think about it, this is original storytelling.
In a sense, there is no such thing as a bargain in computing. Models which are popular sell for the price they are supposed to fetch for the best part of their product cycle.
In London, the home of the quick deal is that outer ring of the seven circles of hell, Tottenham Court Road, where, as a rule, finding something with an advertised price is as likely as spotting a mermaid under Vauxhall Bridge.
Flash turns up the optical volume so that whatever lies behind the lens - be it film or a digital sensor - is a little more receptive.