David Foster

David Foster
David Walter Foster, OC, OBC, is a Canadian musician, record producer, composer, songwriter, and arranger. He has been a producer for musicians including Alice Cooper, Christina Aguilera, Andrea Bocelli, Toni Braxton, Michael Bublé, Chicago, Natalie Cole, The Corrs, Céline Dion, Jackie Evancho, Kenny G, Josh Groban, Whitney Houston, Jennifer Lopez, Kenny Rogers, Seal, Rod Stewart, Donna Summer, Olivia Newton-John, Madonna, Barbra Streisand, and Westlife. Foster has won 16 Grammy Awards from 47 nominations. He is the chairman of Verve Records...
NationalityCanadian
ProfessionMusic Producer
Date of Birth1 November 1949
CityVictoria, Canada
CountryCanada
To divert meaningful volumes of through-trucks from I-81 in Virginia, the upgraded rail line would need to handle six new trains per hour, not per day.
How totally banal of you to ask what I really mean.
I don’t really mean what I’m saying.
With Celine Dion, we were selling 25 million records a pop. 'Pop' stands for 'popular.' It means we're plugging into the masses.
If some people read my fiction and see it as fundamentally about philosophical ideas, what it probably means is that these are pieces where the characters are not as alive and interesting as I meant them to be.
I mean the people who seriously, seriously play devote their lives to it sort of the way monks do. I mean you don't date, you go to bed at a certain time, you eat certain ways, you practice 10-12 hours a day. And I mean, the difference between practicing three hours a day and practicing 12 hours a day is everything. And I certainly never - I never trained seriously after the age of 16.
It’s a very American illness, the idea of giving yourself away entirely to the idea of working in order to achieve some sort of brass ring that usually involves people feeling some way about you – I mean, people wonder why we walk around feeling alienated and lonely and stressed out.
Molly Notkin often confides on the phone to Joelle van Dyne about the one tormented love of Nokin's life thus far, an erotically circumscribed G.W. Pabst scholar at New York University tortured by the neurotic compulsion that there are only a finite number of erections possible in the world at any one time and that his tumescence means e.g. the detumescence of some perhaps more deserving or tortured Third World sorghum farmer
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be "See, you're leaving after all when you promised you wouldn't." I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them.
At root, vulgar just means popular on a mass scale. It is the semantic opposite of pretentious or snobby. It is humility with a comb-over. It is Nielsen ratings and Barnum's axiom and the real bottom line. It is big, big business.
I just think that fiction that isn't exploring what it means to be human today isn't art.
a large percentage of bright young men and women locate the impetus behind their career choice in the belief that they are fundamentally different from the common run of man, unique and in certain crucial ways superior, more as it were central, meaningful what else could explain the fact that they themselves have been at the exact center of all they've experienced for the whole 20 years of their conscious lives? and that they can and will make a difference in their chosen field simply by the fact of their unique and central presence to it...
But if you've really learned how to think, how to pay attention...it will actually be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars-compassion, love, the sub-surface unity of all things.