Dave Eggers
Dave Eggers
Dave Eggersis an American writer, editor, and publisher. He wrote the best-selling memoir A Heartbreaking Work of Staggering Genius. He is also the founder of McSweeney's, a literary journal; the co-founder of the literacy project 826 Valencia, and a human rights nonprofit Voice of Witness, and the founder of ScholarMatch, a program that matches donors with students needing funds for college tuition. His writing has appeared in several magazines...
NationalityAmerican
ProfessionNovelist
Date of Birth12 March 1970
CityBoston, MA
CountryUnited States of America
When you're in your twenties in a new city where no one's from here, we're all sort of orphans. The only people that you can count on our bunch of people that you work with and that you know. You're only as good as the reliability of that latticework.
But of course there's no logic to San Francisco generally, a city built with putty and pipe cleaners, rubber cement and colored construction paper. It's the work of fairies, elves, happy children with new crayons
But that in any city, in any cluster of people, there a few people who are awake at this hour, who are both awake and dancing, and it’s here that we need to be.
I went to Saudi Arabia in 2010, and spent most of my time in Jeddah and the King Abdullah Economic City.
The kids sit facing the white board and collectively tell a story, ... As they're coming up with the story, there's a typist sitting here, so they see their words coming up on the wall.
What can I do for you, my man?
So this is the space during tutoring hours. It's very busy. Same principles: one-on-one attention, complete devotion to the students' work and a boundless optimism and sort of a possibility of creativity and ideas.
I'm never a fan of the sociopathic kind of reviewing, people who are sort of self-immolating and have social problems or whatever, and let it out in literary-criticism form. I just feel like book reviewing should be respectful and calm and not filled with bile.
I still get my news from the newspaper in the morning. I just have an affection for paper, and that's no secret, I guess.
We've lost that very simple transaction that's so pure, where a reader can say, "I support what you're doing, here's my dollar. I know that you guys are gonna be watchdogs or keep the government accountable, so here's my 50-cent contribution each day." It's just so tidy, and I think so inspiring.
I think there's great value to the Associated Press and to Reuters, but if you wanted to generate original content, maybe written by local writers, it just takes a little bit of openness to open your pages up to a wider freelance writer pool, and then you might find new voices and a wider array of voices, and definitely more original content that can't be found anywhere else.
I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.
Loneliness is just a thing that I'm not personally interested in. So far, it hasn't been on my docket of things to write about.
He was feeling buoyant, flexible. He wanted to go jogging. He stood. He couldn't go jogging. He called room service and ordered a basket of breads and pastries.