Dave Eggers
Dave Eggers
Dave Eggersis an American writer, editor, and publisher. He wrote the best-selling memoir A Heartbreaking Work of Staggering Genius. He is also the founder of McSweeney's, a literary journal; the co-founder of the literacy project 826 Valencia, and a human rights nonprofit Voice of Witness, and the founder of ScholarMatch, a program that matches donors with students needing funds for college tuition. His writing has appeared in several magazines...
NationalityAmerican
ProfessionNovelist
Date of Birth12 March 1970
CityBoston, MA
CountryUnited States of America
I think there's great value to the Associated Press and to Reuters, but if you wanted to generate original content, maybe written by local writers, it just takes a little bit of openness to open your pages up to a wider freelance writer pool, and then you might find new voices and a wider array of voices, and definitely more original content that can't be found anywhere else.
Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f@*$%load of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.
My voice and movements are restricted by the things I own.
When anybody starts out with a memoir, you get the impulse to tell your own story with your own voice, and you get all that out in one fell swoop sometimes.
Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.
I worked at Salon.com way back when they started, and there's just unmeasurable value to distributing words online, too, but I still get my news from the newspaper in the morning.
All I ever wanted was to know what to do.
What can I do for you, my man?
Who's got the Paris Review? ... It's under a new editor.
But you know, there's something about the kids finishing their homework in a given day, working one-on-one, getting all this attention - they go home, they're finished. They don't stall, they don't do their homework in front of the TV.
You can do and use the skills that you have. The schools need you. The teachers need you. Students and parents need you. They need your actual person: your physical personhood and your open minds and open ears and boundless compassion, sitting next to them, listening and nodding and asking questions for hours at a time.
It's our theory that everything trickles down from there, ... That if you have high salaries, good conditions, you have good support. You have a lot of communication between teachers, you pay for teachers' supplemental training, and the students learn.
I try to get anybody coming to San Francisco to come to the Mission. Not to misuse the word 'authentic' - I think that's such a troubling word - but the Mission really does have all the best parts of San Francisco intersecting here.
I'm never a fan of the sociopathic kind of reviewing, people who are sort of self-immolating and have social problems or whatever, and let it out in literary-criticism form. I just feel like book reviewing should be respectful and calm and not filled with bile.