Dave Eggers
Dave Eggers
Dave Eggersis an American writer, editor, and publisher. He wrote the best-selling memoir A Heartbreaking Work of Staggering Genius. He is also the founder of McSweeney's, a literary journal; the co-founder of the literacy project 826 Valencia, and a human rights nonprofit Voice of Witness, and the founder of ScholarMatch, a program that matches donors with students needing funds for college tuition. His writing has appeared in several magazines...
NationalityAmerican
ProfessionNovelist
Date of Birth12 March 1970
CityBoston, MA
CountryUnited States of America
I really believe strongly that kids should be spared the runoff of their parents' lives and problems.
I went to public school all my life and all through college and I liked it.
There are many Saudi women doctors, and there are many wealthy and powerful and well-educated Saudi women who circumvent the restrictions put upon them, quietly or otherwise.
The idea of 'Voice of Witness' is to let survivors and witnesses of human-rights abuses tell their story at length. It started with a course that I co-taught at U.C. Berkeley journalism school back in 2003.
I met a lot of great people in Saudi Arabia and I'd like to see them again. And I'd love to spend more time in the desert and in the mountains. I felt really at home there.
High school teachers who want to get reluctant readers turned around need to give the students some say in the reading list. Make it collaborative: The students will feel ownership, and everyone will dig in.
But there was something psychological happening there that was just a little bit different. And the other thing was, there was no stigma. Kids weren't going into the 'Center-for-Kids-That-Need-More-Help' or something like that. It was 826 Valencia.
The house is a factory.
Paper is a uniquely beautiful format, more so than the web, I think: you need to invest in the aesthetics.
It's so easy to print in the Midwest. You're saving months in shipping and customs, so we have started printing a number of books there.
To me any given story has its appropriate form. There might be some story I get involved with that's begging to be a graphic novel, so that will have to be that way.
In all my life I'd never been approached this way, the car pulling up, the Where you going? It was something I wish had happened hundreds of times. I was a looker - someone who looked over at every car at every traffic light, hoping something would happen, and almost never finding anyone looking back - always everyone looking forwards, and every time I felt stupid. Why should people look at you? Why should they care?
So I should be aware of the dangers of self-consciousness, but at the same time, I’ll be plowing through the fog of all these echoes, plowing through mixed metaphors, noise, and will try to show the core, which is still there, as a core, and is valid, despite the fog. The core is the core is the core. There is always the core, that can’t be articulated. Only caricatured.
But the grind has begun. The windows don’t open, and even the availability of near-constant jokes about Jews and Mormons fails to stem the tide of frustration, decay. We’ve reached the end of pure inspiration, and are now somewhere else, something implying routine, or doing something because people expect us to do it, going somewhere each day because we went there the day before, saying things because we have said them before, and this seems like the work of a different sort of animal, contrary to our plan, and this is very very bad.