Daniel Libeskind
Daniel Libeskind
Daniel Libeskindis a Polish-American architect, artist, professor and set designer of Polish Jewish descent. Libeskind founded Studio Daniel Libeskind in 1989 with his wife, Nina, and is its principal design architect. His buildings include the Jewish Museum in Berlin, Germany, the extension to the Denver Art Museum in the United States, the Grand Canal Theatre in Dublin, the Imperial War Museum North in Greater Manchester, England, the Michael Lee-Chin Crystal at the Royal Ontario Museum in Toronto, Canada, the Felix...
NationalityPolish
ProfessionArchitect
Date of Birth12 May 1946
CountryPoland
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here
We all came to see that site. We all walked around it. It is already sacred.
It's a project that touched me as an immigrant and as a New Yorker.
We will work with everybody for the good of New York
It's a fantastic responsibility and a wonderful moment.
The foreign press seems obsessed with the Freedom Tower, as if it was the only thing going on here. In fact, we're trying to keep a huge juggling act in balance, with the tower as just one of the many balls in play.
Well, I didn't want to have the reminder sort of in the sky, so that people would forever look at it. I wanted to have - really to create a city from the bottom up. From that foundation, which held, from the democratic power of what the site really is.
Only through acknowledgment of the erasure and void of Jewish life can the history of Berlin and Europe have a human future
And it is very moving because one has to see the site not as just another site of development but it is a very special site. It is a site that souls and hearts of all Americans.
It's about how to bring together the seemingly contradictory aspects of the memorial, which is about a tragedy and how it changed the world, but also about creating a vital and beautiful city of the 21st century.
Well, I think one doesn't really have to invent this memorial space, because it is already there. And it is speaking with a voice and, you know, 4 million of us came to see the site.
There will be a competition for the memorial. And then it can be developed with trees, with planting. It can become a very beautiful place protected from the streets, because it is below. And it can be something very moving and very private.
Larry wanted us to reposition the tower. We wouldn't, and won't. He's been holding back our fees. We want to get paid. And that's it. It'll get solved and we'll carry on with planning Ground Zero.
When you're a kid with artistic yearnings brought up in the Bronx, you don't get fed up too easily.