Daniel Handler
Daniel Handler
Daniel Handleris an American writer and journalist. He is best known for his work under the pen name Lemony Snicket, having published children's series A Series of Unfortunate Events and All the Wrong Questions under this pseudonym. He has also published adult novels under his real name; his first book The Basic Eight was rejected by many publishers for its dark subject matter. His most recent book is We Are Pirates. Handler has also played the accordion in several bands...
NationalityAmerican
ProfessionNovelist
Date of Birth28 February 1970
CitySan Francisco, CA
CountryUnited States of America
I wrote Rick before I was published, and I had no vision of it, really. It was just a story that occurred to me, and that put its little claws in my brain, and I wrote it, and I showed it to a couple people, and they all said, "This is ghastly."
who would dare think that, forever? Some idiot girl who wouldn’t know how things played out.
A mystery is solved with a story.
I will love you as misfortune loves orphans, as fire loves innocence, and as justice loves to sit and watch while everything goes wrong.
When you say, "History is written by the winners," you like to think about someone who isn't you. You want to think, "Oh, that's the juggernaut I'm standing against." But you're probably part of it.
What happens in a certain place can stain your feelings for that location, just as ink can stain a white sheet.
It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.
The library was one enormous room, with long, high metal shelves and the perfect quiet that libraries provide for anyone looking for an answer.
Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
I hadn't even been looking, not for you, and now you were my heart's desire.
I started making plans, thinking we would get that far.
This world is suchier than we are, and the best thing to do is keep moving and find your keys.
The idea that the curtain rises on what is often more or less a happy scene, and it will fall just a few hours later, and everyone will be dead or have gone mad... I find that kind of narrative very appealing.
Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we're rebelling. Between teen movies and sex-ed textbooks we're so ready for our rebellious phase we can't help but feel it's safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.