Daniel Alarcon
Daniel Alarcon
Daniel Alarcónis a Peruvian-American author who lives in San Francisco, California; he has been a Distinguished Visiting Writer at Mills College and a Visiting Writer at California College of the Arts. In Spring 2013, he was a Visiting Scholar at the UC Berkeley Investigative Reporting Program. Daniel Alarcón’s work has been published in The New Yorker, Harper's, Granta, Virginia Quarterly Review and elsewhere, and anthologized in Best American Non-Required Reading 2004 and 2005. He is Associate Editor of the Peruvian...
NationalityPeruvian
ProfessionAuthor
CountryPeru
clash head lyrics music playing voices
When I was younger, I was able to write with music playing in the background, but these days, I can't. I find it distracting. Even when the music is just instrumental or has lyrics in a language I don't understand, the clash between the voices in my head and the song can be very disorienting.
chavez good hugo latin people work
For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
hate skype tools
I have a love/hate relationship with the internet. It's obviously the central tool of how I work, and how I keep in touch with all the writers and then producers that I'm collaborating with. Skype saves my life, you know.
latin book reading
I want people to read good work. If I see someone reading a book by Lorrie Moore or Jennifer Egan, I'm psyched. If I see them reading X Latin American Writer Who Sucks, I'm not psyched. But in terms of news, I do think that's important.
morning fall night
My first and last love will always be fiction. It's the first thing I do in the morning and the last thing I do at night. I love the novel because it's like a love affair. You can just fall into it and keep going, and you never know where it's going to take you.
writing done homework
Writing an op-ed feels like I'm taking the SAT. It's so hard. It feels like homework. And if it feels like homework, it just doesn't get done.
morning character writing
I write 1,000 words a day first thing in the morning but I cannot write 240 characters to describe a piece that I spent six weeks working on with a producer.
animal two down-and
A novel is like an animal you have to hunt down and kill. If you let it sit for two days, it's got a two-day head start. So, if I just look at it every day, I'm so much better off.
seven-years years-ago alive
Ask any human being alive if they're the same person they were seven years ago and they're going to tell you they aren't.
doe scar wounded
What I'm most interested in is not necessarily the wound, but the scar. Not how someone is wounded, but what the scar does later.
fun writing way
Generally, I find that when you're writing and having fun with the writing, that energy and dynamism is going to come out in the text one way or another.
latin america fluency
There are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.
latin men two
A lot of attention has been paid in Latin America to the new generation of nonfiction writers, authors like Julio Villanueva Chang, Diego Osorno, Cristóbal Peña, Gabriela Wiener, Leila Guerriero, Cristian Alarcón, among others. These are writers doing important, groundbreaking work. So the talent is there, as is the habit of radio listenership, and what we propose to do is unite the two. We want to have these immensely gifted journalists - men and women who've already revitalized the long-form narrative - we want them to tell their stories in sound.