Dan Chaon
Dan Chaon
Dan Chaon is an American writer. He is the author of three short story collections and two novels, including Among the Missing, which was a 2001 finalist for the National Book Award. Chaon's stories have appeared in Best American Short Stories, The Pushcart Prize Anthologies, and The O. Henry Prize Stories. He teaches at Oberlin College, where he is the Pauline Delaney Professor of Creative Writing and Literature...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
long premonition remembered
It is not like a premonition of death. It is as if she died a long time ago, and she just now remembered it.
thinking long goes-on
You can go on like this for a very long time, and no one will notice. You keep thinking you're going to hit some sort of bottom, but I'm here to tell you: There is no bottom.
book years long
You can't count on notoriety lasting very long, and there's no way to predict whether anyone will care about your books or you in three years, let alone ten or twenty.
falling-in-love book way
In some ways all of my fiction is like a conversation I'm having with the writers I read when I was first falling in love with books.
mind plot
Plot was always secondary in my mind.
character play identity
I knew I wanted to play around with genre-esque imagery, and the identity theft stuff came in the middle, when I was figuring out how the characters were connected to those images.
writing process novel
For me, the process of writing a novel happens mostly in your head before you actually start writing.
wife sheila reader
My main reader was my wife Sheila, and I haven't written a lot since she died.
writing knowing worry
I always worry that knowing too much about a novel or a story early on in writing will close it down - it feels fatalistic in some way.
writing world pages
The danger in writing about a world you don't know very well is that you can get lost in it, and sometimes I'll end up with a hundred pages I don't know what to do with.
character writing plot
I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
dream book egyptian-pyramids
I keep a daily journal of whatever weird thought comes into my mind, like when I had a dream I was in North Dakota in the middle of a blizzard and for some reason the Egyptian pyramids were there, too - that I was able to shuffle into the book.
writing stories daydreaming
That's how I work, whether with stories or novels - they start with an image that comes to me in a daydream, and a lot of times I'm walking around with these pictures in my head for awhile before I start writing.
feelings identity way
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.