Dan Chaon

Dan Chaon
Dan Chaon is an American writer. He is the author of three short story collections and two novels, including Among the Missing, which was a 2001 finalist for the National Book Award. Chaon's stories have appeared in Best American Short Stories, The Pushcart Prize Anthologies, and The O. Henry Prize Stories. He teaches at Oberlin College, where he is the Pauline Delaney Professor of Creative Writing and Literature...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
character play identity
I knew I wanted to play around with genre-esque imagery, and the identity theft stuff came in the middle, when I was figuring out how the characters were connected to those images.
character writing plot
I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
wall writing character
I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.
character dark compassion
I have long admired Caroline Leavitt's probing insight into people, her wit and compassion, her ability to find humor in dark situations, and conversely, her tenderness towards characters.
character thinking issues
Identity issues are hardwired into the way I think about character - it's almost as if I can't get away from them even if I want to.
falling-in-love book way
In some ways all of my fiction is like a conversation I'm having with the writers I read when I was first falling in love with books.
mind plot
Plot was always secondary in my mind.
writing process novel
For me, the process of writing a novel happens mostly in your head before you actually start writing.
wife sheila reader
My main reader was my wife Sheila, and I haven't written a lot since she died.
writing knowing worry
I always worry that knowing too much about a novel or a story early on in writing will close it down - it feels fatalistic in some way.
writing world pages
The danger in writing about a world you don't know very well is that you can get lost in it, and sometimes I'll end up with a hundred pages I don't know what to do with.
dream book egyptian-pyramids
I keep a daily journal of whatever weird thought comes into my mind, like when I had a dream I was in North Dakota in the middle of a blizzard and for some reason the Egyptian pyramids were there, too - that I was able to shuffle into the book.
writing stories daydreaming
That's how I work, whether with stories or novels - they start with an image that comes to me in a daydream, and a lot of times I'm walking around with these pictures in my head for awhile before I start writing.
feelings identity way
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.