Damien Hirst
Damien Hirst
Damien Steven Hirstis an English artist, entrepreneur, and art collector. He is the most prominent member of the group known as the Young British Artists, who dominated the art scene in the UK during the 1990s. He is internationally renowned, and is reportedly the United Kingdom's richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to...
NationalityBritish
ProfessionPainter
Date of Birth7 June 1965
To me it's like, this is the kind of world I live in and these are all the people who are artists who are doing what I'm doing, but in their own way.
'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.
I always try to make everyone mellow down, make sure everybody's happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
Artists are like everybody else.
As an artist you're looking for universal triggers. You want it both ways. You want it to have an immediate impact, and you want it to have deep meanings as well. I'm striving for both. But I hate it when people write things that sound like they've swallowed a f... dictionary.
I think as an artist you have to reinvent yourself every day.
I have always been aware that you have to get people listening before you can change their minds. Any artist's big fear is being ignored, so if you get debate, that's great.
I've been asked to do a retrospective since I was about 28 and I always thought that was a bit odd. It's great to look forward as an artist because in the future the possibilities are infinite; you look back and it's all fixed so it's a scary thing.
The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
I've seen things that are 200 years old, in formaldehyde.
I think if you've made it, why not name it?
I thought it might be nice to have a little line on the side going, just in case, of doing famous people's pets for them, in formaldehyde.
We have had some animal rights things but they all get the facts wrong so they have to go away looking a bit stupid.
One thing leads to another with my work.