Damien Hirst
Damien Hirst
Damien Steven Hirstis an English artist, entrepreneur, and art collector. He is the most prominent member of the group known as the Young British Artists, who dominated the art scene in the UK during the 1990s. He is internationally renowned, and is reportedly the United Kingdom's richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to...
NationalityBritish
ProfessionPainter
Date of Birth7 June 1965
Art is the closest you can get to immortality, though it's a poor substitute - you're working for people not yet born - and people want it because it is brilliant. It ends up in museums anyway; the rich have to give it back to the people, it's their only option. There are no pockets in a shroud.
The infinite possibilities. That's what used to do my nut in.
I don't see what else you can spend your money on... If you want to own things, art is a pretty good bet.
It'd be nice to make lots of money but it's quite difficult, because every time I make lots of money I make a bigger piece that costs lots of money.
When it comes to the British monarchy, I prefer to be seduced by an image than presented with a real person. It's kind of a Warhol thing.
In fact, the first piece of art I ever sold, I paid someone else to make the next one, so I could actually keep going out drinking.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
I always feel a bit trapped when a painting goes for millions of pounds and only one person can have it. If you can have that as well as a poster on every student's wall, then you're in a very enviable position. I'd like to do a Damien Hirst for £500 at some point.
I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
When I used to do abstract paintings at school, like everyone else, the tutor said these would make great curtains. I would always neglect the formal stuff that was going on by using colour, because colour kind of came naturally to me.
I just wanted to find out where the boundaries were. So far I've found there aren't any. I just wanted to be stopped, and no one will stop me.
Immortality is really desirable, I guess. In terms of images, anyway.
But the answer to how to live is to stop thinking about it. And just to live. But you're doing that anyway. However you intellectualise it, you still just live.
I did a butterfly show in Berlin, and we had a guy who's an expert on butterflies; who bred them all and who looks after them all in the space.