Curtis Sittenfeld

Curtis Sittenfeld
Elizabeth Curtis Sittenfeldis an American writer. She is author of five novels: Prep, the tale of a Massachusetts prep school; The Man of My Dreams, a coming-of-age novel and an examination of romantic love; American Wife, a fictional story loosely based on the life of First Lady Laura Bush; Sisterland, which tells the story of identical twins with psychic powers; and the forthcoming Eligible, which is a contemporary retelling of Pride and Prejudice, as well as a number of short...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
I feel like as I've gotten older I've unfortunately come to the decision that a lot of people who seem normal and boring maybe are normal and boring.
I'm able to separate fiction and reality. I guess it remains to be seen if other people are.
There are so many people who are so much better qualified to write about politics than I am.
You know, the point of a novel - or to me, the point of a novel, the gift of a novel is to go really deeply inside people's lives and inside their personal experiences.
If I'm at somebody's house and they have magazines on the table and people are chatting, I feel almost a physical urge to start reading the magazines instead of talking to people.
The better you learn to take care of yourself, the less you settle for being around people who can't or won't treat you as well as you're accustomed.
The big occurrences in life, the serious ones, have for me always been nearly impossible to recognize because they never feel big or serious. In the moment, you have to pee, your arm itches, or what people are saying strikes you as melodramatic or sentimental, and it's hard not to smirk. You have a sense of what this type of situation should be like - for one thing, all-consuming - and this isn't it. But then you look back, and it was that; it did happen.
There are people we treat wrong and later, we're prepared to treat other people right.
After I’d told her – the mall, the taxi, Cross stroking my hair – she said, ‘Did he kiss you?’ ‘John and Martin totally would have seen that,’ I said, and as I felt myself implying the circumstances had prevented our kissing, I thought maybe this was why you told stories to other people – for how their possibilities enlarged in the retelling.
Ordinarily, of course, I thought it best to remain inconspicuous, but the gesture had a certain irresistable theatricaility, and an inevitablility. Sometimes you can feel the pull of what other people want from you, and you sacrifice yourself, you risk seeming odd or sunsavory, to keep them entertained.
She really does like him, she likes lying next to him, she wants to be around him; when you get down to it, can you say that about many people?
Probably I, like a lot of people, became a writer in imitation of or in homage to the books I enjoyed. When you're so captivated by something, you think, could I do that? Hmm, let me try
I guess in life I find people who, at first glance, appear to be very typical or average, whatever that means, and then turn out to have hidden qualities.
Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which... is something a lot of people struggle to understand well into their adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises when the occur, do not catch you off guard; you have never believed you lived under a shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement.