Colleen Atwood

Colleen Atwood
Colleen Atwood is an American costume designer...
NationalityAmerican
ProfessionDesigner
CountryUnited States of America
american-designer kinds lucky work
I've been lucky in the things I've got to work on. I've been able to keep it fresh, always getting to do different kinds of things.
assistant bought buyer clients department design early private saint side store worked
I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.
costumes older people period periods scale technical work
One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times.
child high life painter phase work
I wanted to be a painter when I was a kid. And then, I had to make a living. I had a child when I was in high school, so I kind of had that work phase in my life.
best came clothes conveying dressed lives people period pictures pose sunday time word work written
When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture.
moving work-out leotards
I had to work out that it was something that could move, without having everybody in spray painted leotards.
design general glamorous people work
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
candy home insane mind negative nice number surrounded treat work
My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space.
avoid clothes costume create design learn somehow time tried works
I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else.
american-designer lambs silence
Sometimes a contemporary film like Silence of the Lambs is difficult. To make it look real but interesting is always a challenge.
audience changed create creation feeling japanese key relate sensual starting took using western
What we wanted to create for the film was a sensual feeling using the traditional Japanese kimono as our key starting point. We took the creation of the kimono and changed it to make it something that the modern, Western audience would relate to.
aware bought career connection costume design grew growing horror loved money remember saved small strange town washington white
I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing.
both designing detail goes leather
I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out.
africa american-designer century inspired peru turkey
While researching design, I was inspired globally, from Peru to Turkey to Africa to Japan-from the 5th century through to today.