Colleen Atwood
Colleen Atwood
Colleen Atwood is an American costume designer...
NationalityAmerican
ProfessionDesigner
CountryUnited States of America
thinking clothes design
I don't design my own clothes. It's so not what I think about.
fun thinking want
I think what's fun about the fairytales is just seeing what everybody interprets them as, which comes from the different directors and what they want to do with them.
jobs thinking giving
Be able to take any job that gives you experience on a film. Don't just think that you have to be in one department or the other, because through working on one and seeing what other people do in the movie makes you realize what your role is if you become a costume designer.
thinking people mind
I think the silhouette of the kimono costume will become engraved in people's minds. I do think there'll be lots of red accents in the near future. For me personally, I can't see myself flaunting around in a geisha uniform but it'll make me smile when I see what others do with it.
american-designer kinds lucky work
I've been lucky in the things I've got to work on. I've been able to keep it fresh, always getting to do different kinds of things.
american-designer lambs silence
Sometimes a contemporary film like Silence of the Lambs is difficult. To make it look real but interesting is always a challenge.
audience changed create creation feeling japanese key relate sensual starting took using western
What we wanted to create for the film was a sensual feeling using the traditional Japanese kimono as our key starting point. We took the creation of the kimono and changed it to make it something that the modern, Western audience would relate to.
assistant bought buyer clients department design early private saint side store worked
I worked in fashion, but I worked more in the sales side of fashion than in design. I was an assistant buyer for a department store back in the '70s and the early years of Saint Laurent. And I used to have a lot of private clients that I bought for.
aware bought career connection costume design grew growing horror loved money remember saved small strange town washington white
I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing.
costumes older people period periods scale technical work
One of the challenges with period costumes is, on a technical level, making the scale of different periods work on contemporary bodies. We're much bigger than what people were in older times.
both designing detail goes leather
I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out.
africa american-designer century inspired peru turkey
While researching design, I was inspired globally, from Peru to Turkey to Africa to Japan-from the 5th century through to today.
design fan holds huge jean paul people three
For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span.
child high life painter phase work
I wanted to be a painter when I was a kid. And then, I had to make a living. I had a child when I was in high school, so I kind of had that work phase in my life.