Clint Eastwood
Clint Eastwood
Clinton "Clint" Eastwood Jr.is an American actor, film director, producer, musician, and political figure. He rose to international fame with his role as the Man with No Name in Sergio Leone's Dollars trilogy of spaghetti Westerns during the 1960s, and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity...
NationalityAmerican
ProfessionDirector
Date of Birth31 May 1930
CitySan Francisco, CA
CountryUnited States of America
I played characters with villainous aspect. But out-and-out villain? No.
I read every book there was on jazz, about the original players - King Oliver, Buddy Bolden and all those groups. At one time I was fairly well schooled in that... I could tell you who played where and when, historically, way before my time.
If you ever go to a music session, you'll notice that the musicians can sit down and start playing right away, and everyone knows what to do. Of course they're reading it, but the conductor can tweak little things, and you can take that back to directing motion pictures.
Historically, actors have been made very famous for roles that were something that was far - - Richard Widmark comes to mind (playing Tommy Udo in "Kiss of Death") or something like that, where you do some famous role and everybody imitates you for the rest of your life. But obviously it's much more fun to play something you're not than it is to play something you are.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
It's much more fun to play something you're nothing like than what you are... It's much easier to hide yourself in a character.
To me, life is like the back nine in golf. Sometimes you play better on the back nine. You may not be stronger, but hopefully you're wiser. And if you keep most of your marbles intact, you can add a note of wisdom to the coming generation.
My mother knew how to read music and everything. But I just kinda learned off of records. And so, I was listening to records and I'd play 'em over and over.
What happened is I was going to college in 1950. L. A. City College. A guy I knew was going to an acting class on Thursday nights. He started telling me about all the good-lookin' chicks and said, "Why don't you go with me?" So I probably had some motivation beyond thoughts of being an actor. And sure enough, he was right. There were a lot of girls and not many guys. I said, "Yeah, they need me here." I wound up at Universal as a contract player.
I played a little basketball. Some football in junior high.
I'd always tried to resist playing the supervirility thing. I liked showing the vulnerability of age.
I'd like to be a bigger and more knowledgeable person 10 years from now than I am today. I think that, for all of us, as we grow older, we must discipline ourselves to continue expanding, broadening, learning, keeping our minds active and open.
Yes, I'm always - I'm always surprised when you make a film and you live with it a while and you put it out, you never dream that anybody is ever going to want to really see it.
When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.