Clint Eastwood
Clint Eastwood
Clinton "Clint" Eastwood Jr.is an American actor, film director, producer, musician, and political figure. He rose to international fame with his role as the Man with No Name in Sergio Leone's Dollars trilogy of spaghetti Westerns during the 1960s, and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity...
NationalityAmerican
ProfessionDirector
Date of Birth31 May 1930
CitySan Francisco, CA
CountryUnited States of America
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
I believe that everybody, whether you believe in the afterlife or the chance of a near-death experience and you come back and you see someone [on the other side] - whether that has happened or not, I don't know, but certainly everyone has thought about it at some point or another in time. It's a fantasy that if there is anything out there like that, it would be just terrific, but that remains to be seen.
A lot of people regret, because we live in a society that reveres being at the prime of life and everything, but you have certain primes at certain times, and mine happens to be...
If you feel like you've got something to offer you should do it while the iron's hot.
I had always planned when I started directing in 1970 that after a few years I'd get tired of looking at myself on the screen and say: "Hey, let's not do that any more." But then every once in a while something pops up. I'm not saying it won't happen again but probably the odds get less as you set yourself for roles that fit your age group.
I don't necessarily look for dark themes; they just seem to appear.
I am not a regret type person. I don't believe in regrets. Lots of things you would do differently if you'd do it again, but you don't do it again, so you don't think about it. But that goes for life in general. You're only dealing with the knowledge you have at that time.
The main thing is to do each project the way you want, and if they find an audience, that's terrific. And if they don't, there's nothing you can do anyway, so don't let it concern you that much. An awful lot of good movies have done badly and an awful lot of bad movies have done very well. There are no real rhymes or reasons for it. Sometimes the stars don't always align right. But if you've done the best you can, you feel pretty good about it.
There's something about the first time an actor runs the material over his or her face, when they kind of run it through their eyes and you see the thing and there is little imperfections in it and not every line is delivered perfectly, and it doesn't have that mechanical feeling.
At certain points if your life, you like doing more. I'm not sure what causes it or for what reasons; you just do it.
The only reason I ever thought about retiring from the front part of the camera as opposed to the back is sometimes you think, "How many roles are there for someone my age?"
Directing is more like you're being a psychologist and you're kind of analyzing the situation and evaluating each person for their idiosyncrasies.
Don Siegel last advice to me was 'Don't short yourself.' He said the tendency is when an actor's directing is to kind of you want to work on everybody else but you're going to short yourself. He said, take the time to do a good job with yourself so that you're satisfied with it.
I guess a great movie would be one that has the most great moments in it.