Claudia Rankine
Claudia Rankine
Claudia Rankineis a poet, essayist, playwright and the editor of several anthologies. She is the author of five volumes of poetry, two plays and various essays. Rankine is a Chancellor of the Academy of American Poets and the Aerol Arnold Chair of English at the University of Southern California...
NationalityAmerican
ProfessionPoet
CountryUnited States of America
creating arguing environment
Poetry has no investment in anything besides openness. It's not arguing a point. It's creating an environment.
hurt thinking desire
I think words are the thing that either triumphs for you, in your desire to communicate something, or fails. I love language because when it succeeds, for me, it doesn't just tell me something. It enacts something. It creates something. And it goes both ways. Sometimes it's violent. Sometimes it hurts you. And sometimes it saves you.
thinking two availability
How our availability, our showing up, our presence, leaves us open to that violence. I think it's a question of language, as it arrives from one body to another. It becomes the thing in between the two bodies.
mean let-it-go want
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
thinking body why-not
One of the things that I think about is: How do you make moments that float, transparent? Moments that could just float away. How do you make a body accountable for its language, its positioning? Why not make a body accountable for its language?
thinking firsts found
I also found it funny to think about blackness as the second person. That was just sort of funny. Not the first person, but the second person, the other person.
communication thinking way
Each of these failures for me is a failure of communication, via a mode of communication that can be violent or meant to behave violently. Butler provides a way of thinking about how language becomes an instrument of violence. And why we feel it as such.
optimistic past thinking
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
thinking white black
I think of the described dynamics as a fluid negotiation. I don't think these specific interactions can happen to the black or brown body without the white body. And there are ways in which, if you say, "Oh, this happened to me," then the white body can say, "Well, it happened to her and it has nothing to do with me." But if it says "you," that you is an apparent part of the encounter.
jobs moving mean
When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.
offering firsts facts
The subject who speaks is situated in relation to the other. This privilege of the other ceases to be incomprehensible once we admit that the first fact of existence is neither being in itself nor being for itself but being for the other, in other words, that human existence is a creature. By offering a word, the subject putting himself forward lays himself open and, in a sense, prays.
memories stupid optimistic
Yes, and the body has a memory. The physical carriage hauls more than its weight. The body is the threshold across which each objectionable call passes into consciousness—all the unintimidated, unblinking, and unflappable resilience does not erase the moments lived through, even as we are eternally stupid or everlastingly optimistic, so ready to be inside, among, a part of the games.
race intimacy investigating
I’m not investigating race as much as I’m investigating intimacy.
believe want moments
I want to believe that in any relational moment a person understands that the other person in front of them is just another human being.