Claude Levi-Strauss

Claude Levi-Strauss
Claude Lévi-Strauss was a French anthropologist and ethnologist whose work was key in the development of the theory of structuralism and structural anthropology. He held the chair of Social Anthropology at the Collège de France between 1959 and 1982 and was elected a member of the Académie française in 1973. He received numerous honors from universities and institutions throughout the world and has been called, alongside James George Frazer and Franz Boas, the "father of modern anthropology"...
NationalityFrench
ProfessionScientist
Date of Birth28 November 1908
CountryFrance
How can my old photographs fail to create in me a feeling of emptiness and sorrow? They make me acutely aware that this second deprivation will be final this time...
[Photography] remains servile to a thoughtless vision of the world... As the term snapshot suggests, photography seizes the moment and exhibits it.
Civilization has ceased to be that delicate flower which was preserved and painstakingly cultivated in one or two sheltered areas of a soil rich in wild species ... Mankind has opted for monoculture; it is in the process of creating a mass civilization, as beetroot is grown in the mass. Henceforth, man's daily bill of fare will consist only of this one item.
The order and harmony of the Western world, its most famous achievement, and a laboratory in which structures of a complexity as yet unknown are being fashioned, demand the elimination of a prodigious mass of noxious by-products which now contaminate the globe. The first thing we see as we travel round the world is our own filth, thrown into the face of mankind.
Since music is the only language with the contradictory attributes of being intelligible and untranslatable, the musical creator is a being comparable to the gods, and music itself the supreme mystery of the science of man.
For everything is history: What was said yesterday is history, what was said a minute ago is history. But, above all, one is led to misjudge the present, because only the study of historical development permits the weighing and evaluation of the interrelationships among the components of the present-day society.
[ Serialism ] is like a sailless ship, driven out to sea by its captain, who has grown tired of its being used only as a pontoon, and who is privately convinced that by subjecting life aboard to the rules of an elaborate protocol, he will prevent the crew from thinking nostalgically either of their home port or of their ultimate destination....
I hate travelling and explorers
The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.
Our system is the height of absurdity, since we treat the culprit both as a child, so as to have the right to punish him, and as an adult, in order to deny him consolation.
The scientist is not a person who gives the right answers, he is one who asks the right questions.
Being human signifies, for each one of us, belonging to a class, a society, a country, a continent and a civilization; and for us European earth-dwellers, the adventure played out in the heart of the New World signifies in the first place that it was not our world and that we bear responsibility for the crime of its destruction.
I can't help thinking that science would be more appealing if it had no practical use.
All the essentials of humanity's artistic treasures can be found in New York.