Chuck Klosterman
Chuck Klosterman
Charles John "Chuck" Klostermanis an American author and essayist who has written books and essays focused on American popular culture. He has been a columnist for Esquire and ESPN.com and wrote "The Ethicist" column for The New York Times Magazine. Klosterman is the author of eight books including two novels and the essay collection Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto...
NationalityAmerican
ProfessionNovelist
Date of Birth5 June 1972
CountryUnited States of America
crazy book reading
It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything. If I could, I'd completely rewrite Fargo Rock City, and every sentence would be just slightly different. In all likelihood, most of them wouldn't be any better. Some of them would just be changed back to whatever form they used to be, before I second-guessed myself the first time.
crazy believe people
Sure there's a percentage of people who are like, "It snowed in May. I don't believe in climate change." Well, that's crazy, but that's always gonna be the case. I suppose if climate change happens much faster than even the dire experts predict, then I suppose opinions will change.
jobs crazy thinking
Internet porn makes everything more reasonable -- once you've realized there is a massive subculture of upwardly mobile people who think it's erotic to see an Asian woman giving a hand job to a javelina, nothing else in the world seems crazy.
american-critic five hard star worked
Five years ago, I thought I was going to write for newspapers; if I worked really, really hard I could one day work for the Minneapolis Star Tribune.
american-critic city david fargo front number people phone rock spin
I got to Spin because I put my phone number in the front of Fargo Rock City and one of the people who called me was David Byrne.
american-critic belly favorite fiction jump line morning pours raymond tries
My favorite line of fiction is from Raymond Carver's Gazebo: 'That morning she pours Teacher's over my belly and licks it off. That afternoon, she tries to jump out the window. I go, Holly, this can't continue.'
people flu faces
In the Far East, it's very normal for people to wear masks in flu season. I don't know if I'd ever do that, though, because I don't like having things on my face.
epidemics bird flu
I'm really an alarmist when it comes to epidemics. Swine flu now; when SARS was big, I was all freaked out about that, bird flu. That terrifies me.
fun thinking weather
I like storms. I would say I actively like stormy weather. I would not be afraid of them. I think that if I had not pursued journalism, I think storm-chasing would've been a really fun career.
writing thinking people
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
writing law firsts
If somebody asked for the first draft of something I'd written, it'd probably be pretty close to whatever got published. I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns.
book writing thinking
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
book writing thinking
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
book writing thinking
The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have. It's really weird, especially since I spent so much of my life covering people who are famous. It's interesting to actually have it happen to me on some level.