Chuck Klosterman
Chuck Klosterman
Charles John "Chuck" Klostermanis an American author and essayist who has written books and essays focused on American popular culture. He has been a columnist for Esquire and ESPN.com and wrote "The Ethicist" column for The New York Times Magazine. Klosterman is the author of eight books including two novels and the essay collection Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto...
NationalityAmerican
ProfessionNovelist
Date of Birth5 June 1972
CountryUnited States of America
sports listening sitting
I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
important want cliche
Important things are inevitably cliche, but nobody wants to admit that.
people looks world
Why don't I like crowds? I suppose the worst possible thing I could say is that I don't like people, and that crowds are just collections of people. That seems like a very nihilistic way to look at the world.
mother desire needs
Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire; we don’t really “need” anything new, so we only create what we want.
hate fall ladders
I hate the point where you have to get off the ladder, or get back on. I don't know if that's a fear of heights, or literally a fear of falling. I want to be afraid to fall. That seems like a good fear.
dream people trying
People who talk about their dreams are actually trying to tell you things about themselves they’d never admit in normal conversation.
country people world
The most wretched people in the world are those who tell you they like every kind of music 'except country.' People who say that are boorish and pretentious at the same time.
dying littles collections
We are always dying, all the time. That's what living is; living is dying, little by little. It is a sequenced collection of individualized deaths.
horse past reality
I think a bigger difference with social media is going to be things like the impact Instagram will have for historians. For the longest time, we had no images of the past. And then when we had the advent of the camera, we had a record of the things people chose to photograph, which, for a while, were portraits of your family, a new building we built, or a really big horse. Well now we have images of everything. That will be the biggest difference I think - that we will have a visual record of this reality in a way that will be completely covered.
music car people
I love the way music inside a car makes you feel invisible; if you plan the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow.
lying sarcasm purpose
Sarcasm is when you tell someone the truth by lying on purpose.
loss lunch recognition
Seeing no resolution to my existential recognition of loss, I decide to eat lunch.
self opposites people
The problem a lot of writers have is that they really, really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.
views two looks
There are two ways to look at life. The first view is that nothing stays the same and that nothing is inherently connected, and that the only driving force in anyone's life is entropy. The second is that everything pretty much stays the same (more or less) and that everything is completely connected, even if we don't realize it.