Chuck Jones
Chuck Jones
Charles Martin "Chuck" Joneswas an American animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio. He directed many classic animated cartoon shorts starring Bugs Bunny, Daffy Duck, the Road Runner and Wile E. Coyote, Pepé Le Pew, Porky Pig and a slew of other Warner characters...
NationalityAmerican
ProfessionDirector
Date of Birth21 September 1912
CitySpokane, WA
CountryUnited States of America
In timing a film, we used to assume that sneaks move slowly. This was great for animators-thirty-six to forty-eight drawings for a single step-but it was sheer hell for the pace of the picture. So the rapid tiptoe was invented.
Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.
You have a coyote inside you and you have to get it out
The close-up, according to D.W. Griffith, allows subtle changes of facial expression-the raising of an eyebrow or the flicker of a smile-to become part of the action.
In 1918, when I was 6 or 7 years old, radio was just coming into use in the Great War.
You've got a million bad drawings in you; you better get started.
I'm not a believer in putting designers off in an ivory tower. They need to have a voice at the table so they can identify where and why design can make a difference. We also need to understand the business issues. If we don't make our numbers this quarter, we don't earn the right to do something cool the next time.
Fog and smog should not be confused and are easily separated by color. Fog is about the color of the insides of an old split wet summer cottage mattress; smog is the color and consistency of a wet potato chip soaked in a motorman’s glove.
Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter.
I have come to know Bugs so well that I no longer have to think about what he is doing in any situation. I let the part of me that is Bugs come to the surface, knowing, with regret, that I can never match his marvelous confidence.
The road is better than the end.
[W]hen the coyote falls, he gets up and brushes himself off; it's preservation of dignity. He's humiliated, and it worries him when he ends up looking like an accordion. A coyote isn't much, but it's better than being an accordion.
Painting does what we cannot do—it brings a three-dimensional world into a two-dimensional plane.
Early experiences convinced me that animals can and do have quite distinct personalities.