Chuck Close
Chuck Close
Charles Thomas "Chuck" Closeis an American painter/artist and photographer who achieved fame as a photorealist, through his massive-scale portraits. Close often paints abstract portraits, that are shown in the world's finest galleries. Although a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Close lives and works in Bridgehampton, New York and Long Beach, NY and New York City's East Village. His first...
NationalityAmerican
ProfessionPhotographer
Date of Birth5 July 1940
CityMonroe, WA
CountryUnited States of America
I don't believe in inspiration. Inspiration is for amateurs. Some of the time you know you're cooking, and the rest of the time, you just do it.
Every idea occurs while you are working. If you are sitting around waiting for inspiration, you could sit there forever.
Inspiration is for amateurs. professionals work everyday. Personally the best inspiration is a deadline.
Inspiration is for amateurs - the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will - through work - bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great ‘art idea.’
I don't work with inspiration. Inspiration is for amateurs. I just get to work.
Inspiration is highly overrated. If you sit around and wait for the clouds to part, it's not liable to ever happen. More often than not, work is salvation.
Inspiration is for amateurs.
The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Inspiration is for amateurs. The rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightening to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself.
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.
I didn't want a model in the room for three or four months. It would drive me crazy, drive them crazy. But also, they gain weight, they lose weight, their hair gets long, they cut it short, they're awake, they're asleep. And a painting becomes the mean average of all those conditions. I simply looked at photography as a way to jot down the information.
I don't do commissioned portraits and I don't paint college presidents. I can't imagine what kind of ego it would take to want to have a 9-foot-high picture of yourself.
No one was more surprised than me when my paintings started selling, except maybe my dealer.