Christopher Hitchens
Christopher Hitchens
Christopher Eric Hitchenswas an English-American author, columnist, essayist, orator, religious and literary critic, social critic, and journalist. He contributed to New Statesman, The Nation, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, and Vanity Fair. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays, on a range of subjects, including politics, literature, and religion. A staple of talk shows and lecture circuits, his confrontational style of debate made him...
NationalityAmerican
ProfessionNovelist
Date of Birth13 April 1949
CountryUnited States of America
To describe this film as a piece of crap would be to run the risk of a discourse that would never again rise above the excremental.
To be the father of growing daughters is to understand something of what Yeats evokes with his imperishable phrase 'terrible beauty.' Nothing can make one so happily exhilarated or so frightened: it's a solid lesson in the limitations of self to realize that your heart is running around inside someone else's body. It also makes me quite astonishingly calm at the thought of death: I know whom I would die to protect and I also understand that nobody but a lugubrious serf can possibly wish for a father who never goes away.
One of the most repellent spectacles at election times is the pretense of piety on the part of people running for office.
As the many male victims of rape in the regime's disgusting jails can testify, this state-run pathology of sexual repression and sexual sadism is not content to degrade women only.
Religion has run out of justifications. Thanks to the telescope and the microscope, it no longer offers an explanation of anything important. Where once it used to able, by its total command of a worldview, to prevent the emergence of rivals, it can now only impede and retard-or try to turn back-the measureable advances that we have made.
Very often the test of one's allegiance to a cause or to a people is precisely the willingness to stay the course when things are boring, to run the risk of repeating an old argument just one more time, or of going one more round with a hostile or (much worse) indifferent audience.
Philosophy begins where religion ends, just as by analogy chemistry begins where alchemy runs out, and astronomy takes the place of astrology.
We have millions and millions of North Korean children totally stunted in mind and body and will have to be dealt with at some point, who have been raised to believe that they live in a regime that is run by a god.
To describe this film as dishonest and demagogic would almost be to promote those terms to the level of respectability. To describe this film as a piece of crap would be to run the risk of a discourse that would never again rise above the excremental. To describe it as an exercise in facile crowd-pleasing would be too obvious. Fahrenheit 9/11 is a sinister exercise in moral frivolity, crudely disguised as an exercise in seriousness.
Like the experience of warfare, the endurance of grave or terminal illness involves long periods of tedium and anxiety, punctuated by briefer interludes of stark terror and pain.
Well, I'm in my 60s now. I finally look it, I think. People until I was 60 would always say they thought I looked younger, which I think, without flattering myself, I did, but I think I certainly have, as George Orwell says people do after a certain age, the face they deserve.
When you hear people demanding that the Ten Commandments be displayed in courtrooms and schoolrooms, always be sure to ask which set. It works every time.
Say 'Toronto' or 'Ontario,' and the immediate thought associations are with a somewhat blander version of North America: a United States with a welfare regime and a more polite street etiquette, and the additionally reassuring visage of Queen Elizabeth on the currency.
Lovers often invest their first meetings with retrospective significance, as if to try to conjure the elements of the numinous out of the stubborn witness of the everyday.