Christian Wiman
Christian Wiman
Christian Wiman is an American poet and editor born in 1966 and raised in West Texas. He graduated from Washington and Lee University and has taught at Northwestern University, Stanford University, Lynchburg College in Virginia, and the Prague School of Economics. In 2003, he became editor of the oldest American magazine of verse, Poetry, a role he stepped down from in June 2013. Wiman now teaches literature and religion at Yale Divinity School and the Yale Institute of Sacred Music...
competition emerged expect fiercely hearing high poets readers winners
This year's competition for the Lilly Fellowships was fiercely competitive, and the two poets who emerged as winners are already writing at an extraordinarily high level, ... I expect readers will be hearing a lot from these two poets in the years to come.
achievement elizabeth frost great memorable poems poets rivals robert written
He has written some of the most memorable poems of our time, and his achievement rivals that of great American poets like Robert Frost and Elizabeth Bishop.
good hundred living money poet richard whose work
If you had to put all your money on one living poet whose work will be read in a hundred years, Richard Wilbur would be a good bet.
perception different demand
It's just that different emotions and perceptions demand different frequencies and intensities.
thinking smell tests
I think of translations as passing some scholarly smell test: you can read the words of the translation and be reasonably sure of what the words are in the original.
country thinking missing
I can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.
two poet anna
Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.
spiritual pain loss
Poetry has its uses for despair. It can carve a shape in which a pain can seem to be; it can give one’s loss a form and dimension so that it might be loss and not simply a hopeless haunting. It can do these things for one person, or it can do them for an entire culture. But poetry is for psychological, spiritual, or emotional pain. For physical pain it is, like everything but drugs, useless.
wonder
Wonder is the precondition for all wisdom.
genius artistic produce
Mandelstam was an artistic genius, the sort that any century produces only a handful of.
suffering god-is-with-us
God is with us, not beyond us, in suffering.
writing way feels
One of the ways in which I feel close to God is writing poetry.
pain believe fall
I can see now how deeply God's absence affected my unconscious life, how under me always there was this long fall that pride and fear and self-love at once protected me from and subjected me to.... For if grace woke me to God's presence in the world and in my heart, it also woke me to his absence. I never truly felt the pain of unbelief until I began to believe.
writing discipline world
I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.