Chris Riddell
Chris Riddell
Chris Riddellis a British illustrator and occasional writer of children's books and a political cartoonist for The Observer. He has won two Kate Greenaway Medals, the British librarians' annual award for the best-illustrated children's book, and two of his works were commended runners-up, a distinction dropped after 2002. Books that he wrote or illustrated have won three Nestlé Smarties Book Prizes and have been silver or bronze runners-up four times. On 9 June 2015 he was appointed the UK Children's...
NationalityBritish
ProfessionIllustrator
Date of Birth13 April 1962
As a child, I copied Tenniel's illustrations from 'Alice's Adventures in Wonderland' obsessively, particularly his drawing of the white rabbit in waistcoat and frockcoat, umbrella tucked under one arm and a fob watch in paw, a look of suppressed panic in his eye.
Do you have hands? Excellent. That's a good start. Can you hold a pencil? Great. If you have a sketchbook, open it and start by making a line, a mark, wherever. Doodle.
A drop in younger children visiting libraries is of great concern. As children's laureate, I am passionate about the role of libraries, both in schools and in the wider community. They are unique places where children can begin their journey as readers, as well as being creative hubs.
I think stories can grow out of the visual. It can be an engine for literacy.
Roald Dahl worked with other illustrators, but it was only when he teamed up with Quentin Blake that the chemistry began to fizz. Quentin Blake is Britain's greatest living illustrator and has that special talent all the great illustrators have, of unobtrusive brilliance.
My sketchbook is not sacrosanct, and my children would draw on one page while I drew on the other. It was something we shared.
I'm calling myself 'The Doodler,' and with the simple addition of a small burglar's mask, I achieve utter anonymity.
I want to show how much fun you can have drawing... parents and children can draw together as a wonderful shared activity.
In the digital future, texts will be annotated visually, animated and illustrated like never before. The austere 'prayer book' paper that permitted the space for Shepard's illustrations to Pepys' diaries is now being recreated in the digital era.
Go out and find a copy of 'The Shrinking Of Treehorn' and its sequel, 'Treehorn's Treasure.' Written by Florence Parry Heide and illustrated by the great Edward Gorey, master of the gothic and the macabre, these books are small masterpieces.
The 'Chronicles of Narnia' have been favourites of mine since my childhood when I misread 'Aslan' as 'Alsatian' and was struck by the genius of naming a lion after a dog!
I'm not a painter by any stretch of the imagination; I'm a dyed-in-the-wool traditional illustrator, and I begin with black and white. If I need colour, I add it over the top. There's a calligraphic element to it... it's about the texture of lines on the page.
I'm interested in illustration in all its forms. Not only in books for children but in posters, prints and performance as a way of drawing people into books and stories.
The computer is a tool, just like pencil or charcoal, allowing illustrators to manipulate images from their sketchbooks.