Chiwetel Ejiofor
Chiwetel Ejiofor
Chiwetel Ejiofor, CBE, is a British actor. After enrolling at the National Youth Theatre in 1995, and gaining a scholarship to the London Academy of Music and Dramatic Art, at age 19 and three months into his course, Ejiofor was cast by Steven Spielberg to play a supporting part in the film Amistad as James Covey...
NationalityBritish
ProfessionMovie Actor
Date of Birth10 July 1977
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Solomon Northup is one of the most remarkable people I've ever encountered in my life; one of the most amazing stories I have ever been in any kind of contact with. To not tell that story would have been disgraceful, in my opinion.
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That global poverty would end. That people would be able to eat. It's the worst shame in the world that people go hungry.
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I've often had the fortune to work on projects with a small theme I find very interesting enough to pursue and to be passionate about in the context of the story, then it may turn out there's a universality about my character which still resonates with many people as well.
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There's always something ridiculous happening on the set, especially when people get tired because of the long days.
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Solomon Northup is one of the most remarkable people Ive ever encountered in my life; one of the most amazing stories I have ever been in any kind of contact with. To not tell that story would have been disgraceful, in my opinion.
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A lot of people ask me about my father's passing when I was young, which I'm never comfortable with. I invariably move around that subject.
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The Second World War simplified things like race, and people came down on very clear lines.
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If you're looking at people like Patrice Lumumba, you are looking at people who had a very definite plan, and events overran them.
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Different people approach the universe in different ways, but they also approach their own expectations in different ways.
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I don't tend to offer up a critique unless I have a clearly formulated alternative, because there's nothing worse than people on a set or any kind of artistic life who critique something but who don't have anything to offer.
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As a child, I was just never that interested in the lives of my favourite actors, like Cary Grant. I do wonder whether knowing too much about someone's personal life interrupts an audience's ability to suspend disbelief, to really invest in the characters. My preference would always be that people engage with the work.
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The history of slavery and the complication of slavery is that it is an international concept. It is something that affected people who were our people. For example, there were people from the west of Nigeria who were taken by the hundreds of thousands and brought to Louisiana. I'm Igbo; my family is Igbo. So it is a story that I'm connected to.
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Reading the script, I had a strong feeling for the character. She has this brassy, cabaret quality, but she wears her heart on her sleeve, and I thought she was one of the most captivating characters I'd ever read.
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The three hours of makeup put me in the mood every morning. That was easy. As soon as you get into the dresses and the hair, you feel the transformation starting. If only all my characters could be so clear.