Chinua Achebe
Chinua Achebe
Chinua Achebewas a Nigerian novelist, poet, professor, and critic. His first novel Things Fall Apartwas considered his magnum opus, and is the most widely read book in modern African literature...
NationalityNigerian
ProfessionNovelist
Date of Birth16 November 1930
CityOgidi, Nigeria
CountryNigeria
dance girl dancing
Almost nobody dances sober, unless they happen to be insane. H. P. LOVECRAFT, attributed, Telling It Like It Is Dancing is very important nowadays. No girl will look at you if you can't dance.
dance beats
Whatever music you beat on your drum there is somebody who can dance to it.
art views claims
An artist in my view is always afraid of extremists; he is always afraid of those who claim to have found the ultimate solution to any question.
mother baby children
Almost 30 years before Rwanda, before Darfur, more than 2 million people – mothers, children, babies, civilians – lost their lives as a result of the blatantly callous and unnecessary policies enacted by the leaders of the federal government of Nigeria. It’s this charge that’s dominated the book’s Nigerian press, so far as I can see, the accusation, on the one hand, that Awolowo hatched “a diabolical policy to reduce the numbers of his enemies significantly through starvation — eliminating over two million people, mainly members of future generations,
teacher past night
The Novelist As Teacher”: “I would be quite satisfied if my novels (especially the ones I set in the past) did no more than teach my readers that their past – with all its imperfections – was not one long night of savagery from which the first Europeans acting on God’s behalf delivered them.
men arms harvest
When a man is at peace with his gods and ancestors, his harvest will be good or bad according to the strength of his arm.
integrity struggle ordinary
We must now turn from considering the necessary struggle with language arising, as it were, from its very nature and the nature of the society it serves to the more ominous threat to its integrity brought about neither by its innate inadequacy nor yet by the incompetence and carelessness of its ordinary users, but rather engineered deliberately by those who will manipulate words for their own ends.
purpose use language
It is as though the ancestors who made language and knew from what bestiality its use rescued them are saying to us: Beware of interfering with its purpose! For when language is seriously interfered with, when it is disjoined from truth, be it from mere incompetence or worse, from malice, horrors can descend again on mankind.
life men transition
A man's life from birth to death was a series of transition rites which brought him nearer and nearer to his ancestors.
giving creative suffering
As a rule I don't like suffering to no purpose. Suffering should be creative, should give birth to something good and lovely.
country writing community
If I write novels in a country in which most citizens are illiterate, who then is my community?
running writing tired
The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.
believe writing artist
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
real years challenges
The reality of today, different as it is from the reality of my society one hundred years ago, is and can be important if we have the energy and the inclination to challenge it, to go out and engage with its peculiarities, with the things that we do not understand. The real danger is the tendency to retreat into the obvious, the tendency to be frightened by the richness of the world and to clutch what we always have understood.