Charlie Kaufman
Charlie Kaufman
Charles Stuart "Charlie" Kaufmanis an American screenwriter, producer, director, and lyricist. He wrote the films Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind. He made his directorial debut with Synecdoche, New York, which was also well-received; film critic Roger Ebert named it "the best movie of the decade" in 2009. It was followed by Anomalisa...
NationalityAmerican
ProfessionScreenwriter
Date of Birth19 November 1958
CityNew York City, NY
CountryUnited States of America
From my vantage point in writing a story, I can't and don't and have no interest in thinking about the level of sophistication of the audience. I can only think about what interests me, and maybe what I would want to see if I were watching the movie. To me, that's the key to writing something that's not pandering.
Writing is a journey into the unknown.
And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.
I really like when critics reveal their subjectivity and their humanity. I prefer it when people say nice things, but if they say not-nice things or things that are critical, I'm open to it and I accept it. I mean, I have to live with it. But I do think there's a dishonesty in not acknowledging that you're a person with an opinion. I think it's almost like a power grab.
I feel like I want to keep moving toward idiosyncracy. Personal, personal, personal.
Do not simplify. Do not worry about failure. Failure is a badge of honour. It means you risked failure.
I think dreams are metaphors. Everything you do in writing is metaphorical. So it seems like the same arena to me.
I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.
There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.
I'm in my mind a lot. I live there.
It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
People ask me all the time, "What are your influences? Are you trying to do Beckett?" It's like, "No, I'm trying to do me." Whatever that is. I don't know what that is, but that's the basis. I'm trying to be true and I'm trying to be honest.
If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.
When you approach middle age, lots of stuff happens. Your body is aging, you're watching people around you get sick, you're watching people die, your mortality becomes very present at that point in your life.