Charles de Lint
Charles de Lint
Charles de Lintis a Canadian writer of Dutch origins. In 1974 he met MaryAnn Harris, and married her in 1980. They live in Canada...
NationalityCanadian
ProfessionWriter
Date of Birth22 December 1951
CountryCanada
life real thinking
The real problem is, people think life is a ladder, and it's really a wheel.
real knowing want
The real trouble comes from not knowing what we really want in the first place.
real book people
Often the magical elements in my books are standing in for elements of the real world, the small and magical-in-their-own-right sorts of things that we take for granted and no longer pay attention to, like the bonds of friendship that entwine our own lives with those of other people and places.
real umpires long
A long time ago a bunch of people reached a general consensus as to what's real and what's not and most of us have been going along with it ever since.
no-excuses excuse really-living
I was going through the motions of life, instead of really living, and there's no excuse for that. It's not something I'll let happen to me again.
notebook real character
As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.
summer real rip
Living on the street as a kid changed the way I looked at everything. It was a different time and while it had its dangers, it was nothing like it would be today. It was the Summer of Love and there was a real sense of community among us. We were hippies who looked out for each other instead of trying to rip each other off. We only had to watch out for the police who liked to roust us just on general principles, and the kids who came in from the suburbs to do a little hippie-bashing.
real writing character
I'd say that any character or setting can be given a bit of an otherworldly sheen and be the better for it. The one thing I insist on with my own writing is that I won't let magic solve my characters' real world problems. The solutions have to come from the characters themselves.
real thinking analogies
Fairy tales and mythology have always been an exaggerated distillation of the real world. Think of them as blueprints for how to deal with a multitude of situations that can arise in a person's life. The beauty of them is that their analogies resonate so deeply and they also entertain while they teach.
fun real book
The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.
real ideas people
I've always known and been interested in people who are a little bit off the norm. I like to call attention to the idea that they are there, that they are real people, not invisible.
pain real character
My characters seem real because they are drawn from the realities of my life. I didn't have to research their pain; I just tapped into my own.
real dark men
Why did men worship in churches, locking themselves away in the dark, when the world lay beyond its doors in all its real glory?
nice years two
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.