Chang-Rae Lee

Chang-Rae Lee
Chang-rae Leeis a Korean American novelist and a professor of creative writing at Stanford University,. He was previously Professor of Creative Writing at Princeton and director of Princeton's Program in Creative Writing...
NationalitySouth Korean
ProfessionNovelist
Date of Birth29 July 1965
unity want kind
I want the flashbacks to feel that once you're there they have their own unity, their own kind of atmospheric sensibility; I want the reader to be transported. The novel is a big, complicated, unknowable thing before it's written.
book differences looks
All of my books really do look at that to degrees of difference. Technically, I do enjoy the flashback! But not just for informational material.
past want born
The past, as you suggest, is absolutely present at all times and the present is born from the past. I wouldn't want to suggest that the past determines the present.
real struggle people
I wanted to present a sweep and scope of larger events, and a grander backdrop, but most important was to set against that a very singular, real and modest people struggling with every day and human struggles.
real character giving
It's not that I wrote those details, but photos can give you the confidence that you have a real feel for the landscape. Then you can invent with a solid kind of faith, and recreate a feel and flavor of the time, and, one hopes, a tonality, a sense of that time having been lived by those characters.
want violence wartime
When I'm describing wartime activities or violence I don't want to be too ornate, to prettify the picture. Once we trace them to the present, the prose becomes denser.
running self psychics
I'm more interested in the psychic intricacies that they build up and try to run away from, and how they self-construct. A lot of my work is about self-construction. Here, it's those folks who are deeply wounded and bewildered. They're not just victims of trauma; they've been shaken so forcefully that they don't quite know how or where to stand.
littles fiction honest
To be honest, Im not that much of a reader of Korean fiction, since so little is translated.
thinking light preparation
What hasty preparations we make for our future. Think of it: it seems almost tragic, the things we're sure we ought to bring along. We pack too heavy with what we hope we'll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn.
betrayal people survival
There is secrecy and betrayal but that's more part and parcel of the kind of anguish that the people go through. And maybe that's modes of survival, rather than modes of consciousness.
long korean my-family
My family immigrated when I was 3, and our predecessors inhabited the Korean Peninsula for as long as can be recalled.
offering perfect culture
No place is perfect, but I admire Oahu for its offering of the tropical and the urban, and then its Asian-inflected culture and cuisines.
feels knows
For at some point, each of us will be asked to embody what we feel and know.
tales ends universe
A tale, like the universe, they tell us, expands ceaselessly each time you examine it, until there’s finally no telling exactly where it begins, or ends, or where it places you now.