Catherine Deneuve
Catherine Deneuve
Catherine Deneuveis a French actress as well as occasional singer, model and producer. She gained recognition for her portrayal of aloof, mysterious beauties for various directors, including Luis Buñuel and Roman Polanski. In 1985, she succeeded Mireille Mathieu as the official face of Marianne, France's national symbol of liberty. A 14-time César Award nominee, she won for her performances in François Truffaut's The Last Metroand Régis Wargnier's Indochine. She is also noted for her support for a variety of liberal...
ProfessionMovie Actress
Date of Birth22 October 1943
CityParis, France
When you're young, you try to meet that expectation that people have of you. It can be very stressful. But with time it's become less of problem.
I always try to keep that feeling of being on the edge. I'm afraid of knowing too well and seeming mechanical.
If you try to measure the future, you will never risk the present. Playing it safe. A ghastly game.
People have always thought of me as someone who's very classical, when in fact I've led a rather unconventional life.
The thing about a tuxedo is that it is virile and feminine at the same time,
She's a great model. If she's ruining her personal life, that belongs to her. What she does in her private life is very private. I find it unbearable that maybe someone shot her (picture), stole the photos then sold them.
She's a great model. If she's ruining her personal life, that belongs to her,
It was so beautiful. Such extraordinary colors, classical, and refined and very structured as well. A superb collection.
I'm afraid of being too sure, to just deliver. I think that's the biggest danger for actors - after a certain time, when you're known and recognised, people expect you to do what you're supposed to do, and there's almost no more criticism and that's very dangerous.
What I do is I come in the morning and get involved in the character, but I'm always very pleased to leave it at night and have my life.
Sometimes, just to give the impression that you have the strength and the vitality demands a lot. You can't always give that impression when you have heels and a wig on and it's 40 degrees outside.
I love to do very long and complicated scenes. I like to have this impression that we are all working together, where you can see all the technicians and everybody is really doing the same thing at the same time. With close-ups, of course you have the crew there, but most of them are just around and it doesn't involve that many people.
You're better off not preparing, because what you prepare will always be wrong.
I know who I am, how I was. I don't want to know how I will be because nobody knows that.