Cate Blanchett
Cate Blanchett
Catherine Élise "Cate" Blanchettis an Australian actress and theatre director. She has received international acclaim and many accolades, including two Academy Awards, three Screen Actors Guild Awards, three Golden Globe Awards, and three British Academy Awards. Blanchett came to international attention for her role as Elizabeth I of England in Shekhar Kapur's 1998 film Elizabeth, for which she won the BAFTA Award for Best Actress, the Golden Globe Award, and earned her first Academy Award for Best Actress nomination. Her...
NationalityAustralian
ProfessionMovie Actress
Date of Birth14 May 1969
CityMelbourne, Australia
CountryAustralia
I'm not dressing for anyone else. I don't really subscribe to other people's idea of what is beautiful. I just want to feel good.
The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'
I remember when I was 26. My father died when I was young and my mother didn't have a lot of money, so I thought, 'I want to own a flat by the time I'm 26.' So I worked towards that, literally trying to scrimp and save. But sometimes those plans don't go as you expect.
The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.
Any industry loses its innovation and loses its access to creative juices if you don't have progressive thinking and diversity.
I think probably winning these things [an Oscar] can be a bit of a curse depending on who you are and how you think. But I haven't been on a journey to get anywhere in particular, so that hasn't changed. And my criteria for choosing projects hasn't changed.
I think you're peripatetic when you work in this industry. My husband and I are assuming the role of co-artistic directors at the Sydney Theatre Company in 2008. But as long as the film industry will have me, I will have it.
Inquiry and curiosity is really important in any profession, but definitely in what I do. And in parallel you also need to be confident enough to try things. So it's a tricky thing sometimes to balance those two states.
I never really think about my gender, first and foremost - until a door is closed to you. Until you can see a parallel opportunity with a man in a similar place in his career and you think, That opportunity is not open to me or my fellow actresses. That's interesting.
The lack of racial diversity and gender diversity and the lack of female directors - those are not fashionable issues. And they're not issues that reside solely within the film industry.
I was quite shocked at the tone I took and the judgements I had of the relationship that she embarked on, you know, sex with a minor. But it's the stuff of great drama [in Notes On A Scandal].
I'm not interested in playing characters who see the world through my prism. I think the journey of understanding any character is to see how they tick and how they differ from you.
My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].
o matter how much research you do, or invention you do, whether it's a character from a novel, a completely invented character or someone who actually existed, it's a work of faction. By the very fact you only have an hour and a half or two hours to tell a story, you're telescoping events and it is, in the end, a work of imagination.