Cary Fukunaga
Cary Fukunaga
Cary Joji Fukunaga is an American film director, writer, and cinematographer. He is known for writing and directing the 2009 film Sin Nombre, the 2011 film Jane Eyre and for directing and executive producing the first season of the HBO series True Detective, for which he won the Primetime Emmy Award for Outstanding Directing for a Drama Series. He has received acclaim for the 2015 war drama Beasts of No Nation, in which Fukunaga was writer, director, producer, and cinematographer...
NationalityAmerican
ProfessionDirector
Date of Birth10 July 1977
CityOakland, CA
CountryUnited States of America
I've written immense love letters that are supposed to be opened over days at a time.
Increasingly, there's much better material on television, but there's not always the time and money to make it, so you've got to make sure you make it in the right place. It also depends on time commitment; a lot of directors will make a pilot, but a series is just a whole other level of involvement.
I'm not a very sentimental person, so you're not going to find schmaltzy scenes in my movies.
It's so easy for shows to be gritty and handheld and shaky and really tight in people's faces.
I'm not Mexican, and I'm not Central American. I'm from California.
I'm definitely sensitive to the idea of exploitation. You don't want to glamorize certain things.
I have no idea what it would be like to be just one thing and speak one language. I feel enormously privileged to travel and be able to mingle and speak to people that, had I only known English, I wouldn't have been able to meet.
New York is perfect for Tanizaki because it's filled with so many dark spaces.
I want to have a nice country home one day, yeah.
I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be identifiable.
It's hard because there's a part of me that wants 'True Detective' to win every award we're nominated for. But I'm a huge fan of 'Breaking Bad' and 'Game of Thrones.'
To do action without cuts is infinitely more exciting.
With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had to compress that I thought it would have been really nice to spend more time with - to spend with the characters.
'Victoria Para Chino,' my 2nd-year film at NYU, gave birth to 'Sin Nombre.'