Carrie Brownstein
Carrie Brownstein
Carrie Rachel Brownsteinis an American musician, writer, actress, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the punk-indie trio Sleater-Kinney. During a long hiatus from Sleater-Kinney, she formed the group Wild Flag. During this period, Brownstein wrote and appeared in a series of comedy sketches with Fred Armisen which were then developed into Emmy and Peabody Award-winning satirical comedy TV series Portlandia. Sleater-Kinney has since reunited and Brownstein is touring with...
NationalityAmerican
ProfessionGuitarist
Date of Birth27 September 1974
CitySeattle, WA
CountryUnited States of America
I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
I think it's very disheartening and undermining to focus on nostalgia or youthful sentimentality as the lens through which you view art and culture, because then you feel like everything good already happened. I really just try to be in the present with music and just find the things that are invigorating and make me feel happy to be alive right now.
I think grief is a step towards strength because it allows you to be porous and take everything in, and have it transform you. What will sit within you is despairing, but at least it's feeling. You're not numb. Grief is sort of the allowance of feeling.
I think closing-off is the most detrimental thing we can do as people. Also, the idea of not judging oneself.
Wholeness is sort of a dubious concept. Because in terms of the human body and literal wholeness and structures, you think: "here are the structures that help make me whole." Family, or school, or the city I live in. When those structures are dysfunctional or decaying, you end up kind of Frankensteining pieces from everywhere in order to make yourself sated and comfortable and alive.
The idea of self-effacement, the idea that you feel so powerless that the only tiny morsel of power you have is over your own ability to deny yourself food - that to me is a very profound and sad methodology and indicator of how powerless a lot of people feel in this world. That they will turn that onto themselves until they are physically smaller. I think it's affected my worldview a lot - just being sensitive and empathetic towards the ways people want to be small. I don't wish smallness for anyone.
It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.
I think you should be prepared for a green-screen CGI at all times.
I think that there's always an assumption, when a band goes on hiatus or stops playing, that there's some acrimony brewing under the surface.
I think short-term goals are important. Trying to set a missive for yourself for the entire year can be daunting, and it can feel too easy to fail or fall short of that.
I got kind of tired of playing, I think. But I think it will be part of my life again, maybe.
I think one of the reasons I haven't been doing music is because I think that some of my performance, like, needs are being taken care of in other mediums.
I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
I think proteins are really good for your brain. And your brain is where comedy comes from.