Carlton Cuse
Carlton Cuse
Arthur Carlton Cuseis an American screenwriter, showrunner and producer, best known as an executive producer and screenwriter for the American television series Lost, for which he made the Time magazine list of the 100 most influential people in the world in 2010. Cuse is considered a pioneer in transmedia storytelling...
NationalityAmerican
ProfessionTV Producer
Date of Birth22 March 1959
CountryUnited States of America
multiple works
I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
absolutely deliver good indebted job
I really think that as good of a job as you do as a writer, you're absolutely indebted to the actors that have to deliver that material.
history law might
I didn't know at all I wanted to do TV. I thought I might go to law school. I might want to become a history professor.
despite dicaprio kate leonardo love rooting
I love 'Titanic' and the idea that you're kind of rooting for Leonardo DiCaprio and Kate Winslet to survive despite the fact that you know that they're not going to.
communion form good segment telling whom
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
almost characters experience feeling great love sadness time
If you go to a movie and it's a great experience, the experience at the end of it is always like this sadness that it's over, that your time with these characters is finished. There's almost like an achy feeling that I have when I go to a movie that I love and it ends.
apply chance folklore influenced learned liberal mythology physics took
I took physics, and lo and behold, there's a lot of physics in 'Lost.' I think for most people, liberal arts educations are more abstract, but for me, it's been a chance to apply the things I've learned more directly. I also took some Folklore and Mythology classes, and I think that a lot of that influenced me.
buy essential field human nor secret theory unified unlock
I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
connection create fans gave grew internet opportunity pioneer sort wake
I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.
almost certain command director favorite hitchcock list movies owes rear sort thriller time ways
I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
flashback jack sit
That's one of the reasons why 'Lost' has to end: because we can't sit around and envision, 'What is the flashback for Jack in year nine?' It doesn't realistically exist.
amount box certain defined hard money sameness spend television time
One of the things that's, I think, hard in television is that there's a certain sameness to a lot of television because you're working in a very constricted box, and the box is defined by the amount of money you have to spend and the amount of time you have to get ready.
best episode finale implicit people somehow sort supposed
I can't say that the ending of a story is always the best part of the story, and yet there's sort of this implicit idea that the finale is somehow supposed to be the mind-blowing best episode of a show. The question is: Why is that? Why do people make that assumption?
bunch people stranded sustains
'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.