Carlton Cuse
Carlton Cuse
Arthur Carlton Cuseis an American screenwriter, showrunner and producer, best known as an executive producer and screenwriter for the American television series Lost, for which he made the Time magazine list of the 100 most influential people in the world in 2010. Cuse is considered a pioneer in transmedia storytelling...
NationalityAmerican
ProfessionTV Producer
Date of Birth22 March 1959
CountryUnited States of America
assume business companies eventually exploit franchise money point revisit
I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
experience frame special time upset
'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
awesome both chance classes daughter exciting experience greatest incredibly son time wife
Both my wife and I went to Harvard, and it's incredibly exciting that our son and daughter are going there and have the chance to experience it. There are many awesome opportunities at Harvard. That's one of its greatest frustrations - not having enough time to take the classes you want to take.
accepted began comments ended ending fifteen finale knew positive possible stand ten toward twitter
As we began working toward the finale of 'Lost,' I knew there was no possible ending that was going to be universally loved, and I accepted that. We ended the story the way we wanted it to end, and we stand by it. On my Twitter feed, I still get ten to fifteen positive comments for every negative one.
We should just go back to, like, episode 30 and re-break from there and just make it a spaceship. That would be the unexpected reboot of 'Lost.'
love massive
Ironically, I wouldn't say I'm a massive horror fan. I love thrillers.
multiple works
I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
absolutely deliver good indebted job
I really think that as good of a job as you do as a writer, you're absolutely indebted to the actors that have to deliver that material.
history law might
I didn't know at all I wanted to do TV. I thought I might go to law school. I might want to become a history professor.
despite dicaprio kate leonardo love rooting
I love 'Titanic' and the idea that you're kind of rooting for Leonardo DiCaprio and Kate Winslet to survive despite the fact that you know that they're not going to.
communion form good segment telling whom
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
almost characters experience feeling great love sadness time
If you go to a movie and it's a great experience, the experience at the end of it is always like this sadness that it's over, that your time with these characters is finished. There's almost like an achy feeling that I have when I go to a movie that I love and it ends.
apply chance folklore influenced learned liberal mythology physics took
I took physics, and lo and behold, there's a lot of physics in 'Lost.' I think for most people, liberal arts educations are more abstract, but for me, it's been a chance to apply the things I've learned more directly. I also took some Folklore and Mythology classes, and I think that a lot of that influenced me.
buy essential field human nor secret theory unified unlock
I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.