Brendan Gleeson

Brendan Gleeson
Brendan Gleesonis an Irish actor. His best-known performances include supporting roles in films such as Braveheart, Gangs of New York, 28 Days Later, Troy, and the Harry Potter films and leading roles in films such as In Bruges, The Guard, and Calvary. He won an Emmy Award in 2009 for his portrayal of Winston Churchill in the film Into the Storm. He is also the father of actors Domhnall Gleeson and Brian Gleeson...
NationalityIrish
ProfessionMovie Actor
Date of Birth29 March 1955
CityDublin, Ireland
CountryIreland
I'm very proud of 'Calvary.' It's been doing well; it has legs. It's no easy ride. It packs a punch, this one.
Everyone's waiting for the seventh book, and looking at each other saying, 'Oh, I wonder will I be in the running?
I think it's what art should do: make you feel less alone - either in the quest for truth or in dealing with any pain you have.
Winston was a bit of a challenge, all right, from a lot of different perspectives. It wasn't just the culture or the class divide or the historical baggage - it was also the age difference. We had to see if I could be aged-up legitimately, without it becoming some sort of hokey acting challenge.
I hope I'm worthy in my dying. I hope I can maintain myself - that I wouldn't become pathetic and needy, and the worst part of myself come out in adversity. But I'm not afraid of it. It'd be such a silly thing to do! To ruin the life you have by fearing its ending.
I think it was a possibility, I think we're all kind of delusional like that, we think that we can all carry on being who we are without bending ourselves to make ourselves acceptable and expect someone to come along and see to us and rescue to us.
For me, it's just about keeping the standards up. We're a small country, so we have to punch above our weight. I'm not a great man for doing something just because it's Irish, and you never know what's going to work. But as long as we keep the standards up, people will continue to invest in films. It's as simple as that.
I'd never had any problem finding inspiration; Ireland was always just there, you know? All this richness of culture was there to tap into.
I worked with Steven Spielberg on 'AI,' and his level of preparation was extraordinary. He told me there was a time at the beginning when he was a bit more spontaneous and went over budget, and it absolutely wrecked his head. When you look at the power and assuredness of his movies, it makes sense that he works out so much in advance.
I tend to look for the good in bad people and the bad in good people, to make them human. 'Cause I don't think that people generally are that black and white. Maybe in movie-land they can be... but that isn't necessarily all there is.
When I started out at about 19, 20, it took me two years just to tell the difference between a jig and a reel. It does all sound the same, but what you can find once you go in - it's never-ending. So that's my love.
The good thing about my part in 'Harry Potter' was that I was pretty well disguised. When I was walking down the street, there was no real recognition factor. Parents would sometimes call their children to come say hello to Mad-Eye, and the kids wouldn't know what they were looking at.
As long as such suburbs do not end up as commuter dormitories or nothing more than commuter suburbs. The next stage is to produce a richer range of activities and employment opportunities so they can be more self-contained. I think Springfield is a first step, but only a first step and the next phase is going to be critical and that is achieving higher level of self-containment.
He has no time for book learning or pussy-footing about. He wants to show these young men and women what they're up against - evil exists and they better know what they're getting themselves into. He's a one-man initiation ceremony, a walking rite-of-passage. He doesn't believe in treading lightly with Harry or the other students because that won't prepare them for the real world.